Sound, Music, Affect: Theorizing Sonic Experience

ISBN 10: 1441126341 / ISBN 13: 9781441126344

Published by Bloomsbury Academic, 2013

About this Item

Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Seller Inventory # M1441126341Z3

Bibliographic Details

• Title: Sound, Music, Affect: Theorizing Sonic Experience
• Publisher: Bloomsbury Academic
• Publication Date: 2013
• Language: English
• ISBN 10: 1441126341
• ISBN 13: 9781441126344
• Binding: Hardcover
• Condition: Good

About this title

Synopsis

Sound, Music, Affect features brand new essays that bring together the burgeoning developments in sound studies and affect studies.

The first section sets out key methodological and theoretical concerns, focusing on the relationships between affective models and sound. The second section deals with particular musical case studies, exploring how reference to affect theory might change or reshape some of the ways we are able to make sense of musical materials. The third section examines the politics and practice of sonic disruption: from the notion of noise as 'prophecy', to the appropriation of 'bad vibes' for pleasurable aesthetic and affective experiences. And the final section engages with some of the ways in which affect can help us understand the politics of chill, relaxation and intimacy as sonic encounters.

The result is a rich and multifaceted consideration of sound, music and the affective, from scholars with backgrounds in cultural theory, history, literary studies, media studies, architecture, philosophy and musicology.

About the Author

Marie Thompson is a PhD candidate at Newcastle University, UK, based jointly in ICMUS and Culture Lab. Her research interests lie primarily with avant-garde and experimental musics. She regularly performs solo as Tragic Cabaret, in the duo Ghostly Porters, and as part of Newcastle's audiovisual collective, Kira Kira.

Ian Biddle is senior lecturer and Head of Postgraduate Studies in Music at Newcastle University, UK. He is co-founder and co-ordinating editor (with Richard Middleton) of the journal Radical Musicologya nd the author of Music, Masculinity and the Claims of History (2011).