The Sound of ?i?ek

ISBN 10: 1433178982 ISBN 13: 9781433178986
Published by Peter Lang Inc., International Academic Publishers, 2023
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Synopsis:

Over the last three decades Slavoj Žižek has become an iconic figure of intellectuel engagé and his works have engendered ongoing reflection within as different academic disciplines as philosophy, literature or cultural, gender, postcolonial and film studies. But when it comes to music, things look different.

With an emphasis on the German modernist tradition from Wagner to Schönberg, a whole range of references to music are scattered throughout Žižek’s copious body of works. However, these efforts seem to go almost unnoticed within academia – at least on first glance. Looking more closely, one notices a subtle but nevertheless consistent adoption of Žižek’s theories within musicology, spreading across a broad range of topics and approaches. So, Žižek has become part of musicology, even if his presence is still uncharted territory.

The present volume, which appeals to musicologists and philosophers alike, intends to map different ways in which Žižek’s philosophy has been adopted in order to approach many of musicology’s core questions, from musical analysis to the opera studies, from contemporary music to the history of the discipline itself. At the same time it both reflects on and questions Žižek’s positions on musical aesthetics as expressed in his writings. Last but not least, the volume also features two essays by Žižek himself, reflecting his different approaches to writing about music.

About the Author:

Mauro Fosco Bertola studied philosophy in Italy and musicology in Heidelberg. He is the author of Die List der Vergangenheit. Musikwissenschaft, Rundfunk und Deutschlandbezug in Italien, 1890-1945 (2014) as well as co-editor of Žižek and Music (2017) and An den Rändern des Lebens. Träume vom Sterben und Geborenwerden in den Künsten (2019). He is currently leading a DFG-funded project on the presence of dream in contemporary musical theatre at the University of Tübingen.

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Bibliographic Details

Title: The Sound of ?i?ek
Publisher: Peter Lang Inc., International Academic Publishers
Publication Date: 2023
Binding: HRD
Condition: New

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Buch. Condition: Neu. The Sound of ¿i¿ek | Musicological Perspectives on Slavoj ¿i¿ek | Mauro Fosco Bertola | Buch | 196 S. | Englisch | 2023 | Peter Lang | EAN 9781433178986 | Verantwortliche Person für die EU: BoD - Books on Demand, In de Tarpen 42, 22848 Norderstedt, info[at]bod[dot]de | Anbieter: preigu Print on Demand. Seller Inventory # 125766423

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Buch. Condition: Neu. Neuware -Over the last three decades Slavoj ¿i¿ek has become an iconic figure of intellectuel engagé and his works have engendered ongoing reflection within as different academic disciplines as philosophy, literature or cultural, gender, postcolonial and film studies. But when it comes to music, things look different.With an emphasis on the German modernist tradition from Wagner to Schönberg, a whole range of references to music are scattered throughout ¿i¿ek¿s copious body of works. However, these efforts seem to go almost unnoticed within academia ¿ at least on first glance. Looking more closely, one notices a subtle but nevertheless consistent adoption of ¿i¿ek¿s theories within musicology, spreading across a broad range of topics and approaches. So, ¿i¿ek has become part of musicology, even if his presence is still uncharted territory.The present volume, which appeals to musicologists and philosophers alike, intends to map different ways in which ¿i¿ek¿s philosophy has been adopted in order to approach many of musicology¿s core questions, from musical analysis to the opera studies, from contemporary music to the history of the discipline itself. At the same time it both reflects on and questions ¿i¿ek¿s positions on musical aesthetics as expressed in his writings. Last but not least, the volume also features two essays by ¿i¿ek himself, reflecting his different approaches to writing about music.Books on Demand GmbH, Überseering 33, 22297 Hamburg 196 pp. Englisch. Seller Inventory # 9781433178986

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Buch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - Over the last three decades Slavoj Zizek has become an iconic figure of intellectuel engagé and his works have engendered ongoing reflection within as different academic disciplines as philosophy, literature or cultural, gender, postcolonial and film studies. But when it comes to music, things look different.With an emphasis on the German modernist tradition from Wagner to Schönberg, a whole range of references to music are scattered throughout Zizek's copious body of works. However, these efforts seem to go almost unnoticed within academia - at least on first glance. Looking more closely, one notices a subtle but nevertheless consistent adoption of Zizek's theories within musicology, spreading across a broad range of topics and approaches. So, Zizek has become part of musicology, even if his presence is still uncharted territory.The present volume, which appeals to musicologists and philosophers alike, intends to map different ways in which Zizek's philosophy has been adopted in order to approach many of musicology's core questions, from musical analysis to the opera studies, from contemporary music to the history of the discipline itself. At the same time it both reflects on and questions Zizek's positions on musical aesthetics as expressed in his writings. Last but not least, the volume also features two essays by Zizek himself, reflecting his different approaches to writing about music. Seller Inventory # 9781433178986

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Buch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Over the last three decades Slavoj Zizek has become an iconic figure of intellectuel engagé and his works have engendered ongoing reflection within as different academic disciplines as philosophy, literature or cultural, gender, postcolonial and film studies. But when it comes to music, things look different.With an emphasis on the German modernist tradition from Wagner to Schönberg, a whole range of references to music are scattered throughout Zizek's copious body of works. However, these efforts seem to go almost unnoticed within academia - at least on first glance. Looking more closely, one notices a subtle but nevertheless consistent adoption of Zizek's theories within musicology, spreading across a broad range of topics and approaches. So, Zizek has become part of musicology, even if his presence is still uncharted territory.The present volume, which appeals to musicologists and philosophers alike, intends to map different ways in which Zizek's philosophy has been adopted in order to approach many of musicology's core questions, from musical analysis to the opera studies, from contemporary music to the history of the discipline itself. At the same time it both reflects on and questions Zizek's positions on musical aesthetics as expressed in his writings. Last but not least, the volume also features two essays by Zizek himself, reflecting his different approaches to writing about music. 196 pp. Englisch. Seller Inventory # 9781433178986

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