Sounding Off: Theorizing Disability in Music

Routledge

ISBN 10: 0415979072 / ISBN 13: 9780415979078

Published by Routledge, 2006

About this Item

Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Seller Inventory # M00415979072-V

Bibliographic Details

• Title: Sounding Off: Theorizing Disability in Music
• Publisher: Routledge
• Publication Date: 2006
• Language: English
• ISBN 10: 0415979072
• ISBN 13: 9780415979078
• Binding: Soft cover
• Condition: very good

About this title

Synopsis

Disability, understood as culturally stigmatized bodily difference (including physical and mental impairments of all kinds), is a pervasive and permanent aspect of the human condition. While the biology of bodily difference is the proper study for science and medicine, the meaning that we attach to bodily difference is the proper study of humanists. The interdisciplinary field of Disability Studies has recently emerged to theorize social and cultural constructions of the meaning of disability.

Although there has been an astonishing outpouring of humanistic work in Disability Studies in the past ten years, there has been virtually no echo in musicology or music theory. Sounding Off: Theorizing Disability in Music is the first book-length work to focus on the historical and theoretical issues of music as it relates to disability. It shows that music, like literature and the other arts, simultaneously reflects and constructs cultural attitudes toward disability.

Sounding Off: Theorizing Disability in Music promises to be a landmark study for scholars and students of music, disability, and culture.

About the Author

Neil Lerner is Associate Professor of Music at Davidson College. A specialist in film music, he has published studies of film scores by composers including Aaron Copland, Virgil Thomson, John Williams, and Dimitri Tiomkin.

Joseph N. Straus is Presidential Professor of Music at the Graduate Center, City University of New York and former President of the Society for Music Theory. He has written widely on topics in twentieth-century music and music theory.