Sounds of Other Shores: The Musical Poetics of Identity on Kenya's Swahili Coast (Music / Culture)
Language: English
Published by Wesleyan University Press, 2024
- Hardcover
- Used
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HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.
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- Title
- Sounds of Other Shores: The Musical Poetics of Identity on Kenya's Swahili Coast (Music / Culture)
- Author
- Eisenberg, Andrew J.
- Publisher
- Wesleyan University Press
- Publication year
- 2024
- Condition
- Good
- Binding
- hardcover
- Language
- English
- ISBN 10
- 0819501050
- ISBN 13
- 9780819501059
A study of transoceanic musical appropriation and Swahili ethnic subjectivity on the Kenyan coast
Sounds of Other Shores takes an ethnographic ear to the history of transoceanic stylistic appropriation in the Swahili taarab music of the Kenyan coast. Swahili taarab, a form of sung poetry that emerged as East Africa's first mass-mediated popular music in the 1930s, is a famously cosmopolitan form, rich in audible influences from across the Indian Ocean. But the variants of the genre that emerged in the Kenyan coastal city of Mombasa during the twentieth century feature particularly dramatic, even flamboyant, appropriations of Indian and Arab sonic gestures and styles. Combining oral history, interpretive ethnography, and musical analysis, Sounds of Other Shores explores how Swahili-speaking Muslims in twentieth-century Mombasa derived pleasure and meaning from acts of transoceanic musical appropriation, arguing that these acts served as ways of reflecting on and mediating the complexities and contradictions associated with being "Swahili" in colonial and postcolonial Kenya. The result is a musical anthropology of Kenyan Swahili subjectivity that reframes longstanding questions about Swahili identity while contributing to broader discussions about identity and citizenship in Africa and the Indian Ocean world.
"Synopsis" may belong to another edition of this title.
About the Author
ANDREW J. EISENBERG (Abu Dhabi, UAE) is associate professor of music and program head for music at New York University Abu Dhabi. He served as a postdoctoral research associate on the European Research Council-funded "Music, Digitisation, Mediation" project and currently co-directs NYU Abu Dhabi's Music and Sound Cultures (MaSC) lab.
"About the title" may belong to another edition of this title.
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