Source: Music of the Avant-garde, 1966?1973

Austin, Larry (ed)

ISBN 10: 0520267451 / ISBN 13: 9780520267459

Published by University of California Press, 2011

About this Item

2011. Paperback. Documents crucial changes in performance practice and live electronics, computer music, notation and event scores, theater and installations, intermedia and technology, politics and the social roles of composers and performers, and innovations in the sound of music. Editor(s): Austin, Larry; Kahn, Douglas; Gurusinghe, Nilendra. Num Pages: 396 pages, 68 b/w photographs, 128 line illustrations. BIC Classification: 3JJPK; 3JJPL; AVGC6. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 254 x 203 x 26. Weight in Grams: 988. Music of the Avant-Garde, 1966-1973. 396 pages, illustrations. Editor(s): Austin, Larry; Kahn, Douglas; Gurusinghe, Nilendra. Documents crucial changes in performance practice and live electronics, computer music, notation and event scores, theater and installations, intermedia and technology, politics and the social roles of composers and performers, and innovations in the sound of music. Cateogry: (UP) Postgraduate, Research & Scholarly. BIC Classification: 3JJPK; 3JJPL; AVGC6. Dimension: 254 x 203 x 26. Weight: 950. . . . . . Books ship from the US and Ireland.

Seller Inventory # V9780520267459

Bibliographic Details

• Title: Source: Music of the Avant-garde, 1966?1973
• Publisher: University of California Press
• Publication Date: 2011
• Language: English
• ISBN 10: 0520267451
• ISBN 13: 9780520267459
• Binding: Soft cover
• Condition: New

About this title

Synopsis

The journal Source: Music of the Avant-garde was and remains a seminal source for materials on the heyday of experimental music and arts. Conceived in 1966 and published to 1973, it included some of the most important composers and artists of the time: John Cage, Harry Partch, David Tudor, Morton Feldman, Robert Ashley, Pauline Oliveros, Dick Higgins, Nam June Paik, Steve Reich, and many others. A pathbreaking publication, Source documented crucial changes in performance practice and live electronics, computer music, notation and event scores, theater and installations, intermedia and technology, politics and the social roles of composers and performers, and innovations in the sound of music.

About the Author

Larry Austin was the founding editor of Source and is Emeritus Professor of Music at the University of North Texas. Douglas Kahn is the author of Noise Water, Meat: A History of Sound in the Arts, and a Research Professor at the National Institute for Experimental Arts, University of New South Wales, Sydney.