South Asian Filmscapes (Paperback)

Elora Halim Chowdhury

ISBN 10: 0295747854 / ISBN 13: 9780295747859

Published by University of Washington Press, Seattle, 2020

About this Item

Paperback. In South Asia massive anticolonial movements in the twentieth century created nation-states and reset national borders, forming the basis for emerging film cultures. Following the upheaval of the partition of India and Pakistan in 1947 and the Bangladesh Liberation War of 1971, new national cinemas promoted and reinforced prevailing hierarches of identity and belonging. At the same time, industrial and independent cinemas contributed to remarkably porous and hybrid film cultures, reflecting the intertwining of South Asian histories and their reciprocal cultural influences. This cross-fertilization within South Asian cultural production continues today.South Asian Filmscapes excavates these complex politics and poetics of bordered identity and crossings through selected histories of cinema in South Asia. Several essays reveal ways in which fixed notions of national identity have been destabilized by the cross-border mobility of filmed arts and practitioners, while others interrogate how filmic politics intersects with discourses of nationalism, sexuality and gender, religion, and language. Together, they offer a fluid approach to the multiple histories and encounters that conjure "South Asia" as a geographic and political entity in the region and globally through a cinematic imagination. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Seller Inventory # 9780295747859

Bibliographic Details

• Title: South Asian Filmscapes (Paperback)
• Publisher: University of Washington Press, Seattle
• Publication Date: 2020
• Language: English
• ISBN 10: 0295747854
• ISBN 13: 9780295747859
• Binding: Paperback
• Condition: new

About this title

Synopsis

New political realities and shared histories connect film cultures across borders

In South Asia massive anticolonial movements in the twentieth century created nation-states and reset national borders, forming the basis for emerging film cultures. Following the upheaval of the partition of India and Pakistan in 1947 and the Bangladesh Liberation War of 1971, new national cinemas promoted and reinforced prevailing hierarches of identity and belonging. At the same time, industrial and independent cinemas contributed to remarkably porous and hybrid film cultures, reflecting the intertwining of South Asian histories and their reciprocal cultural influences. This cross-fertilization within South Asian cultural production continues today.

South Asian Filmscapes excavates these complex politics and poetics of bordered identity and crossings through selected histories of cinema in South Asia. Several essays reveal ways in which fixed notions of national identity have been destabilized by the cross-border mobility of filmed arts and practitioners, while others interrogate how filmic politics intersects with discourses of nationalism, sexuality and gender, religion, and language. Together, they offer a fluid approach to the multiple histories and encounters that conjure “South Asia” as a geographic and political entity in the region and globally through a cinematic imagination.

About the Author

Elora Halim Chowdhury is professor of women’s, gender, and sexuality studies at the University of Massachusetts Boston and author of Transnationalism Reversed: Women Organizing Against Gendered Violence in Bangladesh. Esha Niyogi De is a lecturer in English at UCLA and author of Empire, Media, and the Autonomous Woman: A Feminist Critique of Postcolonial Thought.