The South in Color. A Visual Journal.

Ferris, William

ISBN 10: 1469629682 / ISBN 13: 9781469629681

Published by The University of North Carolina Press, 2016

About this Item

Since the moment William Ferris' parents him a Kodak Brownie Hawkeye camera in 1954, Ferris passionately began to photograph his world. He has never stopped. This beautiful, provocative collection of 100 of Ferris' photographs of the South, taken during his formative period, capture the power of his colour photography. Series: H. Eugene and Lillian Youngs Lehman Series. Num Pages: 144 pages, 103 Colour Plates. BIC Classification: 1KBBS; 3JJ; 3JM; AGN; AJB. Category: (G) General (US: Trade). Dimension: 241 x 203 x 18. Weight in Grams: 726. . 2016. . . . . Books ship from the US and Ireland.

Seller Inventory # V9781469629681

Bibliographic Details

• Title: The South in Color. A Visual Journal.
• Publisher: The University of North Carolina Press
• Publication Date: 2016
• Language: English
• ISBN 10: 1469629682
• ISBN 13: 9781469629681
• Binding: Hardcover
• Condition: New

About this title

Synopsis

Since the moment William Ferris’s parents gave their twelve-year-old son a Kodak Brownie Hawkeye camera for Christmas in 1954, Ferris passionately began to photograph his world. He has never stopped. The sixties and seventies were a particularly significant period for Ferris as he became a pathbreaking documentarian of the American South. This beautiful, provocative collection of 100 of Ferris’s photographs of the South, taken during this formative period, capture the power of his color photography. Color film, as Ferris points out in the book’s introduction, was not commonly used by documentarians during the latter half of the twentieth century, but Ferris found color to work in significant ways in the photographic journals he created of his world in all its permutations and surprises.

The volume opens with images of his family’s farm and its workers — family and hired — southeast of Vicksburg, Mississippi. The images are at once lyrical and troubling. As Ferris continued to photograph people and their homes, churches, and blues clubs, their handmade signs and folk art, and the roads that wound through the region, divisive racial landscapes become part of the record. A foreword by Tom Rankin, professor of visual studies and former director of the Center for Documentary Studies at Duke University, provides rich insight into Ferris’s work.

About the Author

William Ferris is Joel R. Williamson Eminent Professor of History at the University of North Carolina at Chapel Hill and a former chairman of the National Endowment for the Humanities. With Ferris’s two previous books, Give My Poor Heart Ease and The Storied South, The South in Color completes an informal trilogy of Ferris’s documentation of the South’s tumultuous twentieth century.