Synopsis
The silent and continuous erosion trickling from the top of mountains, via glaciers, tropical forests, sand dunes, icefields of Patagonia, European glaciers into the ocean and the urban waterways of New York’s harbor. Tracing an unbroken line, the eye is guided from one sweeping landscape to the next without doubting their separateness in location and origin, showing the interconnectedness of distant environments, opening up conversations between the different (political) landscapes in which we live.
Renate Aller is a German living in New York. Her large-scale photographs are held in numerous museums including the Hamburger Kunsthalle,
the National Gallery of Art, Washington D. C., the Yale University Art Gallery, the George Eastman Museum, the New York Historical
Society Museum, the Musée des Beaux-Arts, Le Locle, and the Parrish Art Museum.
About the Authors
Born in Germany, Renate Aller lives and works in New York. Her works are in the collections of corporate institutions, private collectors and museums, including Lannan Foundation, Santa Fe, N.M., National Gallery of Art, Washington, D.C., Yale University Art Gallery, CT, George Eastman House, Rochester, NY, New Britain Museum of American Art, CT, Hamburger Kunsthalle, Hamburg, Germany, Chazen Museum of Art, Madison, WI, Parrish Art Museum, Water Mill, NY, New York Historical Society Museum, New York, NY, Musée des Beaux-Arts, Le Locle, Switzerland
MAKEDA BEST, PhD’10, is the Richard L. Menschel Curator of Photography at the Harvard Art Museums. Her current exhibitions are Crossing Lines, Constructing Home: Displacement and Belonging in Contemporary Art and Winslow Homer: Eyewitness. Her forthcoming book, Elevate the Masses: Alexander Gardner, Photography and Democracy will be published in spring 2020 by the Pennsylvania State University Press. She recently published an article in the Archives of American Art Journal on the painter William H. Johnson. The subject of her current book project is American landscape photography.
Courtney J. Martin is the Director of the Yale Center for British Art. Previously Courtney J. Martin was the Deputy
Director and Chief Curator at the Dia Art Foundation. and an assistant professor in the History of Art and Architecture department at Brown University; assistant professor in the History of Art department at Vanderbilt University;
Chancellor’s Postdoctoral Fellow in the History of Art at the University of California, Berkeley; a fellow at the Getty
Research Institute; and a Henry Moore Institute Research Fellow. She also worked in the media, arts, and culture unit of
the Ford Foundation in New York. In 2015, she received an Andy Warhol Foundation Arts Writers Grant. She received a
doctorate from Yale University.
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