Speaking the Unspeakable in Postwar Germany: Toward a Public Discourse on the Holocaust
Language: English
Published by Cornell University Press, 2014
Series: Book 13 of 29 - Signale: Modern German Letters, Cultures, and Thought
- Softcover
- New

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Condition: New
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Series: Signale: Modern German Letters, Cultures, and Thought. Num Pages: 248 pages, black & white illustrations. BIC Classification: 1DFG; 3JJP; HBJD; HBLW3; HBTZ1. Category: (G) General (US: Trade). Dimension: 229 x 152 x 20. Weight in Grams: 342. . 2014. 1st Edition. Paperback. . . . . Books ship from the US and Ireland.
Seller Inventory # V9780801479632
- Title
- Speaking the Unspeakable in Postwar Germany: Toward a Public Discourse on the Holocaust
- Author
- Sonja Boos
- Publisher
- Cornell University Press
- Publication year
- 2014
- Condition
- New
- Binding
- Soft cover
- Language
- English
- ISBN 10
- 0801479630
- ISBN 13
- 9780801479632
- Series
- Book 13 of 29: Signale: Modern German Letters, Cultures, and Thought
Speaking the Unspeakable in Postwar Germany is an interdisciplinary study of a diverse set of public speeches given by major literary and cultural figures in the 1950s and 1960s. Through close readings of canonical speeches by Hannah Arendt, Theodor W. Adorno, Ingeborg Bachmann, Martin Buber, Paul Celan, Uwe Johnson, Peter Szondi, and Peter Weiss, Sonja Boos demonstrates that these speakers both facilitated and subverted the construction of a public discourse about the Holocaust in postwar West Germany. The author's analysis of original audio recordings of the speech events (several of which will be available on a companion website) improves our understanding of the spoken, performative dimension of public speeches.
Speaking the Unspeakable in Postwar Germany emphasizes the social constructedness of discourse, experience, and identity, but does not neglect the pragmatic conditions of aesthetic and intellectual production―most notably, the felt need to respond to the breach in tradition caused by the Holocaust. The book thereby illuminates the process by which a set of writers and intellectuals, instead of trying to mend what they perceived as a radical break in historical continuity or corroborating the myth of a "new beginning," searched for ways to make this historical rupture rhetorically and semantically discernible and literally audible.
"Synopsis" may belong to another edition of this title.
About the Author
Sonja Boos is Assistant Professor of German at the University of Oregon.
"About the title" may belong to another edition of this title.
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