Spring and All (1923) is a book of poems by William Carlos Williams. Predominately known as a poet, Williams frequently pushed the limits of prose style throughout his works, often comprised of a seamless blend of both forms of writing. In Spring and All, the closest thing to a manifesto he wrote, Williams addresses the nature of his modern poetics which not only pursues a particularly American idiom, but attempts to capture the relationship between language and the world it describes. Part essay, part poem, Spring and All is a landmark of American literature from a poet whose daring search for the outer limits of life both redefined and expanded the meaning of language itself. “There is a constant barrier between the reader and his consciousness of immediate contact with the world. If there is an ocean it is here.” In Spring and All, Williams identifies the incomprehensible nature of consciousness as the single most important subject of poetry. Accused of being “heartless” and “cruel,” of producing “positively repellant” works of art in order to “make fun of humanity,” Williams doesn’t so much defend himself as dig in his heels. His poetry is addressed “[t]o the imagination” itself; it seeks to break down the “the barrier between sense and the vaporous fringe which distracts the attention from its agonized approaches to the moment.” When he states that “so much depends / upon // a red wheel / barrow,” he refers to the need to understand the nature of language, which keeps us in touch with the world.
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William Carlos Williams (1883-1963) was an American poet and physician. Born in Rutherford, New Jersey to an English father and a Puerto Rican mother, Williams was raised in a bilingual family and spoke mostly Spanish at home. In 1902, he enrolled at the University of Pennsylvania’s medical school, graduating in 1906 before moving to Leipzig to study pediatrics. In 1909, he self-published Poems in Rutherford, marking a humble start to a distinguished career in literature. In 1912, he married Florence Herman and settled in Paterson, New Jersey, where he established himself as a successful family doctor. With the help of Ezra Pound, Williams published The Tempers (1913) in London and became involved with the Imagists, a short-lived literary movement centered on Pound and H. D. In 1923, he published Spring and All, a hybrid book of prose and free verse poems grounded in observations from daily life. Overshadowed by the work of T. S. Eliot, Williams nevertheless became the figurehead of an experimental American modernism that would flower in his five-book epic poem Paterson, published between 1946 and 1958. In addition to his poetry, which he pursued alongside a decades-long career in medicine, Williams gained a reputation as an autobiographer, essayist, and theorist whose interests ranged from the nature of poetic language to the narrative of American history. He served as a mentor to generations of poets, influencing directly and indirectly the artists of the Beat movement, the San Francisco Renaissance, the Black Mountain school, and the New York School. Pictures from Breughel and Other Poems (1962), his final work, earned Williams a posthumous Pulitzer Prize in Poetry in 1963.
