Very good- paperback copy, from a personal collection (NOT ex-library). Spine is uncreased, binding tight and sturdy; text also very good+. A few very small punctures go through the entire book (a vampire, presumably), otherwise shelfwear is minor. Ships from Dinkytown in Minneapolis, Minnesota.

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Bibliographic Details

Title

Stages of History: Shakespeare's English Chronicles

Publisher

Cornell University Press

Publication Date

1990

Language

English

ISBN 10

0801496985

ISBN 13

9780801496981

Binding

Paperback

Condition

Very Good-

Weight

14 ounces

Seller catalogs

Drama Shakespeare

About this title

Synopsis

Phyllis Rackin offers a fresh approach to Shakespeare's English history plays, rereading them in the context of a world where rapid cultural change transformed historical consciousness and gave the study of history a new urgency.

Rackin situates Shakespeare's English chronicles among multiple discourses, particularly the controversies surrounding the functions of poetry, theater, and history. She focuses on areas of contention in Renaissance historiography that are also areas of concern in recent criticism-historical authority and causation, the problems of anachronism and nostalgia, and the historical construction of class and gender. She analyzes the ways in which the presence of history in Shakespeare's theater participated―and its representation in subsequent criticism still participates―in the contests between opposed theories of history and between the different ideological interests and historiographic practices they authorize.

Celebrating the heroic struggles of the past and recording the patriarchal genealogies of kings and nobles, Tudor historians provided an implicit rationale for the hierarchical order of their own time; but the new public theater where socially heterogeneous audiences came together to watch common players enact the roles of their social superiors was widely perceived as subverting that order. Examining such sociohistorical factors as the roles of women and common men and the conditions of theatrical performance, Rackin explores what happened when elite historical discourse was trans porteto the public commercial theater. She argues that Shakespeare's chronicles transformed univocal historical writing into polyphonic theatrical scripts that expressed the contradictions of Elizabethan culture.

About the Author

Phyllis Rackin is Professor of English in General Honors at the University of Pennsylvania.

"About this title" may belong to another edition of this title.

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Book House of Dinkytown, Inc.
1316 4th Street SE, Suite 201, Minneapolis, MN, 55414, U.S.A.

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