The Steps of Nemesis - A Dramatic Chronicle in Six Scenes from Party Life in the USSR (1936-1938)

Nikolai Evreinov

ISBN 10: 3035805164 / ISBN 13: 9783035805161

Published by Diaphanes AG, 2022

About this Item

2022. Paperback. . . . . .

Seller Inventory # V9783035805161

Bibliographic Details

• Title: The Steps of Nemesis - A Dramatic Chronicle in Six Scenes from Party Life in the USSR (1936-1938)
• Publisher: Diaphanes AG
• Publication Date: 2022
• Language: English
• ISBN 10: 3035805164
• ISBN 13: 9783035805161
• Binding: Soft cover
• Condition: New

About this title

Synopsis

The first-ever English translation of this dramatic work by Nikolai Evreinov.

In the 1910s the Russian theater director and theorist Nikolai Evreinov (1879–1953) insisted on the theatricalization of life. Twenty years later, Evreinov, who had left Russia in 1924, was in exile in Paris when Stalin staged three elaborate political show trials in Moscow. Evreinov then meticulously read the transcripts of the trials in the Russian-language press, collected material on Nikolai Bukharin and the other defendants, consulted with experts, and finally wrote a play, his response to the staging of a judicial farce. With this response, he also wanted to rehabilitate his idea of the theatricalization of life. After all, the theatricalization of life does not mean performing false confessions, constructing conspiracies, fabricating facts, or casting hired witnesses. In his theatrical theory, Evreinov was careful not to make the theater of life invisible. His play is therefore not a historical reconstruction, but an imaginary look behind the scenes, in which the Stalinist perpetrators confess to the real crime in the end: the theater. Expertly translated into English for the first time by Zachary King, The Steps of Nemesis brings a fascinating play to a whole new world.
 

About the Authors

Nikolai Evreinov (1879–1953) was a theater theorist, director, and playwright, who gained renown with his theories on the “natural” theatricality of human beings, “theater as such,” and “theater for itself.”

Sylvia Sasse is professor of Slavic studies at the University of Zurich and cofounder of the ZKK (Centre for Arts and Cultural Theory), member of ZGW (Center "History of Knowledge"), and coeditor of Geschichte der Gegenwart.