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In this perceptive and illustrative look at the expressive and practical use of stone throughout history, Richard Rhodes unlocks the underlying principles of this ancient material—and explains the closely guarded “Sacred Rules” of the Freemasons guild for the first time ever.

The relationship between mankind and stone is elemental and deeply ingrained in us all. Stone, after all, has been the primary building material for more than five thousand years of human history, and it continues to record our triumphs and failures. In this searching history, Rhodes—a sculptor, stonemason, and scholar of stonework—explores how stone is best used today and throughout history.

Stone presents the closely kept “Sacred Rules” developed over centuries by the medieval Freemason guild, previously available only to the initiated. Here, the rules are explained through historical examples and photographs. In these times of rapid development and expansive urbanization, Rhodes implores us to explore the essential qualities of stone that emerge from the Sacred Rules, not only to rediscover the ancient and traditional knowledge that governed its use for so long but also to find a roadmap for how future generations might thoughtfully recapture the power this material offers.

MOST RENOWNED STONEMASON IN THE U.S.: Richard Rhodes apprenticed as a stonemason in Siena, Italy, after graduate studies at the London Academy of Music and Dramatic Art. As the first non-Italian admitted into Siena’s ancient masonic guild in 726 years, he is known throughout the sculpture and stone community as the “last apprentice.”

HISTORICAL EDUCATION: A nationally acclaimed lecturer and educator, Rhodes has shared his deep knowledge of the history of stone and stonemasonry through convention addresses to the American Institute of Architects and the Association of Professional Landscape Designers, a five-lecture educational series to the Institute of Classical Architecture in both New York and San Francisco, and lectures to the Building Stone Institute and many public and private universities. His work has been featured in Architectural Digest, New York Times, Architectural Record, MSNBC, The Globe and Mail, Greenwich Post, Seattle Times, and The Globe and Mail, among many others. 

EXPERT CONTRIBUTOR: The book includes a foreword by Paul Goldberger, a contributing editor at Vanity Fair and previous architecture critic for both the New Yorker and the New York Times, where he was awarded the Pulitzer Prize. He is the author of many books, including Why Architecture Matters.

A Seattle, Washington-based sculptor, stonemason, entrepreneur, and scholar of stonework worldwide, Richard Rhodes apprenticed as a stonemason in Siena, Italy, after graduate studies at the London Academy of Music and Dramatic Art. As the first non-Italian admitted into Siena’s medieval masonic guild (the operative branch of the Freemasons, heirs to the cathedral builders of Europe) in 726 years, he is known throughout the sculpture and stone community as the “last apprentice” since the guild collapsed in the mid-1990s. It was during his guild training that Rhodes first encountered the ancient rulesets called Sacred Geometries and the Sacred Rules of Bondwork, foundational knowledge from the 5,000-year tradition of stone expression. Though now branching into other media such as cast bronze, Rhodes credits his guild training as the major influence in his sculpture practice.