Storied Property. This item is unavailable.Storied Property

RECLAIMING A LOCAL STORY AND THE WOMAN THAT HISTORY CAST ASIDE

In the heart of downtown Tucson, Arizona, stands La Casa Cordova, an adobe structure located in the Tucson Museum of Art's Historic Block. Often described as the oldest building in the city, its story is far more complicated than timelines suggest.​

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In Storied Property: María Cordova's Casa, historian and memoirist Lydia R. Otero uncovers the layered history of a home that once belonged to María Navarrete Cordova (1895-1975), who considered herself the rightful heir and authority over the house and the surrounding area's history. Located within the original boundaries of the Presidio San Agustín del Tucsón, the property held both personal and historical significance.

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For decades, María Cordova appeared in local newspapers, offering her version of the past and highlighting her family's contributions. She also ran the Cordova Brothers Smoke Shop with her family from their home. In 1972, under the banner of urban renewal, she was removed from the property through eminent domain. She and her family fought back in court, one of the few cases in Tucson where residents tried to resist condemnation. They lost. Their forced removal, however, cleared the way for preservationists to redefine the space. A few years later, the house reopened as a Mexican museum, complete with exposed adobe walls, packed earth floors, and borrowed period furnishings. María's presence was erased.

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Storied Property returns María Cordova to the center of the story. Not as a symbol, but as a strategist, business owner, and property holder who understood the stakes. Through primary documents such as court records, maps, newspaper coverage, and María Cordova's own words, Otero offers a critical, unflinching account of the house's background, Cordova's claims, and the limits imposed by a society that relies so heavily on property deeds to validate history. It also traces how urban renewal and preservation efforts worked in tandem on a contested structure.

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Written by a historian rooted in the community, Storied Property is both a critique and a reclamation of a local story about a woman who deserves more than a footnote. It asks what it means to preserve a structure while erasing the people who gave it life and reminds us that what is remembered and what is erased is never accidental.

The book also includes a QR code that gives readers access to archival materials such as historical documents, articles, and drone footage of the area.

Lydia R. Otero, born and raised in Tucson, Arizona, revisits an era marked by displacement and sweeping redevelopment to build on themes first explored in "La Calle: Spatial Conflicts and Urban Renewal in a Southwestern City" (2010). More than fifteen years later, they return to examine the meanings of property ownership, memory, displacement, and preservation through the lens of a single house. These questions have become more urgent in Tucson, where debates over land, development, and representation remain unsettled, and where celebrations meant to honor local communities and histories are often shaped by economic priorities designed to attract tourists to a city built in the Sonoran Desert.