Of the five pieces in Strand, Craig Dworkin did not write the third. Dworkin’ s shifting of words from their original, intended contexts sometimes generates intensely layered, fine-tuned effects . This landmark of conceptual writing belongs on your shelf, in fact, it’ s worth reading.

About the Author

Craig Dworkin is the author of Reading the Illegible, Signature-EffectsDure, Strand, and Parse, and the editor of Architectures of Poetry (Rodopi) and Language to Cover a Page: The Early Writing of Vito Acconci (MIT). He teaches at the University of Utah and curates two on-line archives: Eclipse and The UbuWeb Anthology of Conceptual Writing.

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