&&LDIV&&R&&LDIV&&R&&LDIV&&R&&LI&&RThe Strange Case of Dr. Jekyll and Mr. Hyde&&L/I&&R, by &&LB&&RRobert Louis Stevenson&&L/B&&R, is part of the &&LI&&RBarnes & Noble Classics&&L/I&&R&&LI&&R &&L/I&&Rseries, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of &&LI&&RBarnes & Noble Classics&&L/I&&R: &&LDIV&&R
- New introductions commissioned from today's top writers and scholars
- Biographies of the authors
- Chronologies of contemporary historical, biographical, and cultural events
- Footnotes and endnotes
- Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work
- Comments by other famous authors
- Study questions to challenge the reader's viewpoints and expectations
- Bibliographies for further reading
- Indices & Glossaries, when appropriate
All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. &&LI&&RBarnes & Noble Classics &&L/I&&Rpulls together a constellation of influences―biographical, historical, and literary―to enrich each reader's understanding of these enduring works.&&L/DIV&&R&&L/DIV&&R&&L/DIV&&R&&LDIV&&R &&L/DIV&&R&&LDIV&&RIdealistic young scientist Henry Jekyll struggles to unlock the secrets of the soul. Testing chemicals in his lab, he drinks a mixture he hopes will isolate―and eliminate―human evil. Instead it unleashes the dark forces within him, transforming him into the hideous and murderous Mr. Hyde.&&LBR&&R&&LBR&&R&&LI&&RThe Strange Case of Dr. Jekyll and Mr. Hyde&&L/I&&R dramatically brings to life a science-fiction case study of the nature of good and evil and the duality that can exist within one person. Resonant with psychological perception and ethical insight, the book has literary roots in Dostoevsky’s “The Double” and &&LI&&RCrime and Punishment&&L/I&&R. Today &&LB&&RStevenson&&L/B&&R’s novella is recognized as an incisive study of Victorian morality and sexual repression, as well as a great thriller.&&LBR&&R&&LBR&&RThis collection also includes some of the author’s grimmest short fiction: “Lodging for the Night,” “The Suicide Club,” “Thrawn Janet,” “The Body Snatcher,” and “Markheim.”&&LBR&&R&&L/DIV&&R&&LDIV&&R&&LP style="MARGIN: 0in 0in 0pt"&&R&&LSTRONG&&R&&L/B&&R &&L/P&&R&&LP style="MARGIN: 0in 0in 0pt"&&R&&LSTRONG&&RJenny Davidson&&L/B&&R&&L/B&&R&&L/B&&R is Assistant Professor of eighteenth-century literature and culture in the Department of English and Comparative Literature at Columbia University. Her novel &&LI&&RHeredity&&L/I&&R appeared from Soft Skull Press in 2003.&&L/P&&R&&L/DIV&&R&&L/DIV&&R
The young Robert Louis Stevenson suffered from repeated nightmares of living a double life, in which by day he worked as a respectable doctor and by night he roamed the back alleys of old-town Edinburgh. In three days of furious writing, he produced a story about his dream existence. His wife found it too gruesome, so he promptly burned the manuscript. In another three days, he wrote it again.
The Strange Case of Dr. Jekyll and Mr. Hyde was published as a "shilling shocker" in 1886, and became an instant classic. In the first six months, 40,000 copies were sold. Queen Victoria read it. Sermons and editorials were written about it. When Stevenson and his family visited America a year later, they were mobbed by reporters at the dock in New York City. Compulsively readable from its opening pages,
Dr. Jekyll and Mr. Hyde is still one of the best tales ever written about the divided self.
This University of Nebraska Press edition is a small, exquisitely produced paperback. The book design, based on the original first edition of 1886, includes wide margins, decorative capitals on the title page and first page of each chapter, and a clean, readable font that is 19th-century in style. Joyce Carol Oates contributes a foreword in which she calls Dr. Jekyll and Mr. Hyde a "mythopoetic figure" like Frankenstein, Dracula, and Alice in Wonderland, and compares Stevenson's creation to doubled selves in the works of Plato, Poe, Wilde, and Dickens.
This edition also features 12 full-page wood engravings by renowned illustrator Barry Moser. Moser is a skillful reader and interpreter as well as artist, and his afterword to the book, in which he explains the process by which he chose a self-portrait motif for the suite of engravings, is fascinating. For the image of Edward Hyde, he writes, "I went so far as to have my dentist fit me out with a carefully sculpted prosthetic of evil-looking teeth. But in the final moments I had to abandon the idea as being inappropriate. It was more important to stay in keeping with the text and, like Stevenson, not show Hyde's face." (Also recommended: the edition of Frankenstein illustrated by Barry Moser) --Fiona Webster
