Studies of Renaissance Miniaturists in Venice Vol II

Lilian Armstrong

ISBN 10: 1904597068 / ISBN 13: 9781904597063

Published by ISD International - IPSUK Dez 2003, 2003

About this Item

Neuware - Lilian Armstrong is Professor of Art at Wellesley College, Massachusetts, and a specialist on Venetian Renaissance book illumination. She is the author of The Paintings and Drawings of Marco Zoppo and Renaissance Miniature Painters and Classical Imagery: The Master of the Putti and His Venetian Workshop, and she was a major contributor to the exhibition catalogue The Painted Page: Italian Renaissance Book Illumination 1450-1550 (ed. by Jonathan Alexander). Her publications have focussed particularly on the transition from illuminated manuscripts to the hand-illuminated early printed book in Venice. The present volume collects Professor Armstrong's papers on miniaturists active in Venice and Northern Italy in the 15th and early 16th centuries, and on the impact of the new invention of printing on these artists and their patrons. Included are papers on Marco Zoppo, primarily a monumental'painter, who nevertheless also painted in manuscripts and incunables. The studies variously identify miniaturists and designers of woodcuts through stylistic groupings, trace iconographic traditions for Pliny's Natural History and Petrarch's De viris illustribus, demonstrate the importance of heraldry for studying patronage of Venetian printed books, and explore the distribution of Venetian incunables throughout Europe based on analysis of their decoration.

Seller Inventory # 9781904597063

Bibliographic Details

• Title: Studies of Renaissance Miniaturists in Venice Vol II
• Publisher: ISD International - IPSUK Dez 2003
• Publication Date: 2003
• Language: English
• ISBN 10: 1904597068
• ISBN 13: 9781904597063
• Binding: Buch
• Condition: Neu
• Dimensions: 240W x 170H x 20D millimeters 240 millimeters width by 170 millimeters height by 20 millimeters depth
• Weight: 1101 grams

About this title

Synopsis

Lilian Armstrong is Professor of Art at Wellesley College, Massachusetts, and a specialist on Venetian Renaissance book illumination. She is the author of The Paintings and Drawings of Marco Zoppo and Renaissance Miniature Painters and Classical Imagery: The Master of the Putti and His Venetian Workshop, and she was a major contributor to the exhibition catalogue The Painted Page: Italian Renaissance Book Illumination 1450-1550 (ed. by Jonathan Alexander). Her publications have focussed particularly on the transition from illuminated manuscripts to the hand-illuminated early printed book in Venice.
The present volume collects Professor Armstrong's papers on miniaturists active in Venice and Northern Italy in the 15th and early 16th centuries, and on the impact of the new invention of printing on these artists and their patrons. Included are papers on Marco Zoppo, primarily a monumental"painter, who nevertheless also painted in manuscripts and incunables. The studies variously identify miniaturists and designers of woodcuts through stylistic groupings, trace iconographic traditions for Pliny's Natural History and Petrarch's De viris illustribus, demonstrate the importance of heraldry for studying patronage of Venetian printed books, and explore the distribution of Venetian incunables throughout Europe based on analysis of their decoration.

Table of Contents

The Master of the Rimini Ovid: A Miniaturist and Woodcut Designer in Renaissance Venice
Marco Zoppo e il Libro dei Disegni del British Museum: riflessioni sulle teste all'antica
The Hand-Illumination of Printed Books in Italy 1465-1515
Paduan, Circle of Squarcione, Six Standing Men and Ten Battling Nudes
Benedetto Bordon, miniator, and Cartography in Early Sixteenth-Century Venice
Problems of Decoration and Provenance of Incunables Illuminated by North Italian Miniaturists
Benedetto Bordon, Aldus Manutius, LucAntonio Giunta: Old Links and New
Nicolaus Jenson's Breviarium Romanum, Venice, 1478: Problems of Decoration, and Distribution
Copie di miniature del Libro degli Uomini Famosi, Poiane, 1476, di Francesco Petrarca, e il ciclo perduto di affreschi nella reggia carrarese di Padova
Woodcuts for liturgical books published by LucAntonio Giunta in Venice, 1499-1501
Additional Notes
Index