The RGB collection reissue utilizes conceptual sketches, as well as full-color illustrations to provide a glimpse of the future, as it was in the past, through the eyes of one of the greatest visionaries of our lifetime.
Studio Image 2 sketchbook is the second in the Studio Image series by the late, world-renowned artist/visual futurist, Syd Mead.
Utilizing conceptual sketches, as well as full-color illustrations, this title gives viewers a glimpse of the future through the eyes of one of the great visionaries of his time. Artwork included ranges from practical designs for products to illustrations of spacecraft and fantasy worlds.
Included are workups and illustrations from the motion picture Short Circuit and the poster series commissioned for Lockheed’s Advanced Tactical Fighter, as well as illustrations featured first at the time.
This reissue of a lavish 16.5” x 11.75”, 36-page book with 36 pieces of artwork is required for anyone who has ever had an interest in the future as Syd Mead’s visions continue to be futurist decades after his artwork.
Printed on high-quality 16 1/2" x 11 3/4" varying paper stock, to represent the various stages of the conceptual process, this book features the emerging ideas in sketch form and further showcases some of Syd Mead's finest illustrations in a format suitable for framing.
Inspirational to virtually everyone in the fields of automotive design, film concept design, and industrial design, Syd Mead was a concept artist/visual futurist. He is widely regarded as the most creative industrial designer in history.
Mead began his art career in 1959 at Ford Motor Company’s Advanced Styling Studio. After two years, he left the studio and began illustrating books and catalogues for large corporations, such as US Steel, Celanese, Allis Chalmers, and Atlas Cement. In 1970, he launched Syd Mead, Inc. with Philips Electronics as his most notable client.
Mead later became involved with film design and illustration, becoming best known for establishing the high bar set for concept design for science-fiction films. Some of the films he has worked on include Star Trek: The Motion Picture, Blade Runner, Tron, 2010, Short Circuit, Aliens, Timecop, Johnny Mnemonic, and Mission: Impossible III.
Mead also provided architectural renderings for many clients, including Intercontinental Hotels, 3D International, Harwood Taylor & Associates, Don Ghia, and Gresham & Smith. He has worked with many Japanese corporate clients, as well, including Sony, Minolta, Dentsu, Dyflex, Tiger Corporation, Seibu, Mitsukoshi, Bandai, NHK, and Honda. Additional clients include Disney, Carnegie Mellon University, Purdue, Pratt University, and the Society of Illustrators.
In addition, Mead exhibited his work around the world through one-man shows and has contributed design work to video games.
Inspirational to virtually everyone in the fields of automotive design, film concept design, and industrial design, Syd Mead was a concept artist/visual futurist. He is widely regarded as the most creative industrial designer in history.
Mead began his art career in 1959 at Ford Motor Company’s Advanced Styling Studio. After two years, he left the studio and began illustrating books and catalogues for large corporations, such as US Steel, Celanese, Allis Chalmers, and Atlas Cement. In 1970, he launched Syd Mead, Inc. with Philips Electronics as his most notable client.
Mead later became involved with film design and illustration, becoming best known for establishing the high bar set for concept design for science-fiction films. Some of the films he has worked on include Star Trek: The Motion Picture, Blade Runner, Tron, 2010, Short Circuit, Aliens, Timecop, Johnny Mnemonic, and Mission: Impossible III.
Mead also provided architectural renderings for many clients, including Intercontinental Hotels, 3D International, Harwood Taylor & Associates, Don Ghia, and Gresham & Smith. He has worked with many Japanese corporate clients, as well, including Sony, Minolta, Dentsu, Dyflex, Tiger Corporation, Seibu, Mitsukoshi, Bandai, NHK, and Honda. Additional clients include Disney, Carnegie Mellon University, Purdue, Pratt University, and the Society of Illustrators.
In addition, Mead exhibited his work around the world through one-man shows and has contributed design work to video games.
