Sustainable Tools for Precarious Times: Performance Actions in the Americas (Contemporary Performance InterActions)
Language: English
Published by Palgrave Macmillan, 2019
Series: Book 14 of 23 - Contemporary Performance InterActions
- Hardcover
- New

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- Title
- Sustainable Tools for Precarious Times: Performance Actions in the Americas (Contemporary Performance InterActions)
- Publisher
- Palgrave Macmillan
- Publication year
- 2019
- Condition
- New
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 3030115569
- ISBN 13
- 9783030115562
- Series
- Book 14 of 23: Contemporary Performance InterActions
This collection promises to be a cornerstone in the field of performance studies and human rights activism. By mixing scholarly chapters with artists’ manifestos or “interruptions” it promotes the idea of the collective work between academia and social movements. Not only is it very timely, theoretically savvy, and well written, it also brings together scholars, activists, artists, and artivists in a very fluid, collective approach, something many of us strive to do.”
― Paola S. Hernández, University of Wisconsin, USA
Winner of the Excellence in Editing Award from the Association for Theatre in Higher Education and recipient of an Honourable Mention for the Patrick O'Neill Prize administered by the Canadian Association for Theatre Research.
- The Great Collective Cough-In – L.M. Bogad
- Le Temps d’une Soupe – ATSA
- For Freedoms – Hank Willis Thomas and Eric Gottesman
- Down with Self-Management! Re-Booting Ourselves as Feminist Servers – subRosa
- Journey for Activism and Sustainability Escola de Ativismo
- Unstoppable – micha cárdenas, Patrisse Cullors, Chris Head and Edxie Betts
- Listen to Black Women – Syrus Marcus Ware
- Notes on Sustainable Tools – Fred Moten and Stefano Harney, with Suné Woods
- The Mirror Shield Project – Cannupa Hanska Luger
- The Human Billboard Project – Leah Decter, with Stop Violence Against Aboriginal Women Action Group
"Synopsis" may belong to another edition of this title.
About the Author
Natalie Alvarez is Associate Professor of Theatre and Performance Studies at Ryerson University’s School of Performance, Canada.
Claudette Lauzon
is Assistant Professor of Contemporary Art History in the School for the Contemporary Arts at Simon Fraser University, Canada.
Keren Zaiontz
is Assistant Professor and Queen’s National Scholar in the Department of Film and Media and the Cultural Studies Graduate Program at Queen’s University, Canada.
"About the title" may belong to another edition of this title.
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