Syntactic Dislocation in English Congregational Song between 1500 and 1900

Kirsten Gather

ISBN 10: 3631645902 / ISBN 13: 9783631645901

Published by Peter Lang, Peter Lang Jun 2014, 2014

About this Item

Neuware -A famous English hymn does not start with He who would be valiant, but He who would valiant be with valiant in dislocated position in the clause. The aim of this study is to analyse syntactic dislocation in English congregational song between 1500 and 1900 and to examine its motivations and developments. Poetic factors, like metre and rhyme, can be assumed as primary causes. Moreover, two contrasting dislocation patterns emerge, which show the interplay of poetic requirements and syntactic criteria. The first pattern occurs mainly in metrical psalms, while the second pattern is typical of hymns. With these patterns as a basis of comparison, syntactic dislocation is a decisive factor that makes congregational song conservative both compared to secular poetry and to religious prose. 274 pp. Englisch.

Seller Inventory # 9783631645901

Bibliographic Details

• Title: Syntactic Dislocation in English Congregational Song between 1500 and 1900
• Publisher: Peter Lang, Peter Lang Jun 2014
• Publication Date: 2014
• Language: English
• ISBN 10: 3631645902
• ISBN 13: 9783631645901
• Binding: Buch
• Condition: Neu
• Dimensions: 216W x 153H x 20D millimeters 216 millimeters width by 153 millimeters height by 20 millimeters depth
• Weight: 470 grams

About this title

Synopsis

A famous English hymn does not start with He who would be valiant, but He who would valiant be with valiant in dislocated position in the clause. The aim of this study is to analyse syntactic dislocation in English congregational song between 1500 and 1900 and to examine its motivations and developments. Poetic factors, like metre and rhyme, can be assumed as primary causes. Moreover, two contrasting dislocation patterns emerge, which show the interplay of poetic requirements and syntactic criteria. The first pattern occurs mainly in metrical psalms, while the second pattern is typical of hymns. With these patterns as a basis of comparison, syntactic dislocation is a decisive factor that makes congregational song conservative both compared to secular poetry and to religious prose.

About the Author

Kirsten Gather graduated in Musicology, English philology, and Theatre, Film, and Television studies at the University of Cologne. She works as a researcher at the English department of the University of Cologne. Her research interests include historical linguistics, corpus linguistics and hymnology.