The Table Talk of W. H. Auden

Alan Ansen; Nicholas Jenkins (ed.)

ISBN 10: 0571165672 / ISBN 13: 9780571165674

Published by Faber and Faber, 1991

About this Item

No markings, annotations, or inscriptions. Tanned page block, edges now a little aged and dusted. Clean and tight cover, light edge wear (principally to the front), with a short creas across the front bottom corner. There is no creasing at all to the spine. Edited by Nicholas Jenkins; Introduction by Richard Howard. xv, 119pp.

Seller Inventory # 5004

Bibliographic Details

• Title: The Table Talk of W. H. Auden
• Publisher: Faber and Faber
• Publication Date: 1991
• Language: English
• ISBN 10: 0571165672
• ISBN 13: 9780571165674
• Binding: Softcover
• Condition: Good

About this title

Synopsis

In New York, between 1946 and 1948, the scholar and poet Alan Ansen made rapid notes of Auden's inimitable conversation. This book is a record of Auden's private, offhand and sometimes wayward remarks and opinions about art, literature, music, politics, religion and sexuality.

Review

This is the second volume of the late poet's reported speech. The first, Conversations with Auden by Howard Griffin and edited by Donald Allen, appeared from Grey Fox Press in 1981. The collectors of both appear to have kept in mind the famous example of Johann Peter Eckermann's Conversations with Goetbe in the Later Years of His Life, with the interviewer playing a minor role and letting the great man hold forth at length. Neither is a collection of verbatim interviews; both were accomplished before the use of the tape recorder. Of the two, Ansen's book is the more wide-ranging and accurate in capturing Auden's wit and speech. Whereas Griffin's book is largely political and literary, Ansen displays Auden's knowledge of such disparate subjects as pumping stations, murders, cats, classical and jukebox music, arithmetic textbooks, the Vatican, and coal mines. Often his opinions are outrageous: Mozart's music does not hold up well, Thomas Jefferson was a great bore, and Yeats's last poems are merely competent. But throughout one senses Auden was a good and honest man: "I think that poetry is fundamentally frivolous," he says. "I do it because I like it. The only serious thing is loving God and your neighbor." If one agrees with Auden's critical intent, that "criticism should be a casual conversation," this slender volume is an illuminating and vital document. -- From Independent Publisher