Synopsis
This groundbreaking study examines the unlikely merger of two Japanese cultural phenomena, an 11th-century aristocratic text and contemporary manga comics. It explores the ways in which the manga versions of The Tale of Genji use gender, sexuality, and desire to challenge perceptions of reading and readership, morality and ethics, and what is translatable from one culture to another. Lynne K. Miyake shows that, through their girls, ladies, Boy Love, boys and young men, and informational comics remediations of the tale, the manga Genjis visually, narratively, and affectively rework male and female gazes; Miyake reveals how they gently inject humor, eroticize, gender flip, queer, and simultaneously re-inscribe and challenge heteronormative gender norms. The first full-length study of Genji manga, this book analyses these adaptations within manga studies and the historical and cultural moments that fashioned and sustained them. It also interrogates the circumscribed, in-group aristocratic society and the consumer and production practices of the Heian society that come full circle in the manga versions. The Tale of Genji through Contemporary Manga utilizes western queer, feminist, sexuality and gender theory and Japanese cultural practices to illuminate the ways in which the Genji tale redeploys itself. Yet it also provides much needed context and explanation regarding the charges of appropriation of prepubescent (fe)male and gay bodies and the utilization of (sexual) violence mounted against Genji manga—and manga and anime in general once they went global.
About the Authors
Lynne K. Miyake is Emerita Professor of Japanese in the Department of Asian Languages and Literatures and the Asian Studies Program at Pomona College, USA. She has published and presented on The Tale of Genji manga in the U.S. and abroad at conferences, colleges/universities, and at the Billy Ireland Cartoon Library and Museum, the Minneapolis Institute of Art, and the Los Angeles County Museum of Art. She is also featured in radio interviews with Ideas with Host Paul Kennedy and On Point with Tom Ashbrook, and on the Annenberg Educational Genji website .
Christopher Gerteis is an historian of Modern and Contemporary Japan at SOAS University of London, UK and The University of Tokyo, Japan. His first book, Gender Struggles: Wage-earning Women and Male-Dominated Unions in Postwar Japan (2009), is an interdisciplinary study of the forgotten history of wage-earning Japanese women who during the 1950s militantly contested the socialist labor movement's revival of many prewar notions of normative gender roles. His second book, Mobilizing Japanese Youth: The Cold War and the Making of the Sixties Generation (forthcoming), examines the forces that shaped the political consciousness of Japanese youth who engaged in political violence during the 1960s and 1970s. It unpacks how notions of class and gender shaped the discourses produced by, and for, young men and women of the 'Sixties Generation'. Dr Gerteis is co-editor of the Bloomsbury book Japan since 1945: from Postwar to Post-Bubble (2012) and is Founding Series Editor of the Bloomsbury series SOAS Studies in Modern and Contemporary. He also served as Chief Editor of the interdisciplinary academic journal Japan Forum from 2014 through 2019.
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