Talented Mr. Ripley

The first stage adaptation of Patricia Highsmith's famous crime novel
Tom
Ripley is a criminal with an ambiguous past. He is sent to Italy by a
wealthy financier to try and coax home the rich man's son. In the
process Ripley becomes both attracted and seduced, finding the murder
the only way to deal with the situation. From that point Ripley tries
to cover up his crime. Patricia Highsmith's beguiling tale of morality
and amorality is given a dramatic rendering by contemporary dramatist
Phyllis Nagy, who knew Highsmith in her later years in Paris.
"Each
play I see by Phyllis Nagy confirms me in the belief that she is the
finest playwright to have emerged in the 1990s" (Financial Times)

The novel begins with a play on James's The Ambassadors. Tom Ripley is chosen by the wealthy Herbert Greenleaf to retrieve Greenleaf's son, Dickie, from his overlong sojourn in Italy. Dickie, it seems, is held captive both by the Mediterranean climate and the attractions of his female companion, but Mr. Greenleaf needs him back in New York to help with the family business. With an allowance and a new purpose, Tom leaves behind his dismal city apartment to begin his career as a return escort. But Tom, too, is captivated by Italy. He is also taken with the life and looks of Dickie Greenleaf. He insinuates himself into Dickie's world and soon finds that his passion for a lifestyle of wealth and sophistication transcends moral compunction. Tom will become Dickie Greenleaf--at all costs.

Unlike many modernist experiments, The Talented Mr. Ripley is eminently readable and is driven by a gripping chase narrative that chronicles each of Tom's calculated maneuvers of self-preservation. Highsmith was in peak form with this novel, and her ability to enter the mind of a sociopath and view the world through his disturbingly amoral eyes is a model that has spawned such latter-day serial killers as Hannibal Lecter. --Patrick O'Kelley