Tales Before Narnia : The Roots of Modern Fantasy and Science Fiction

In his acclaimed collection Tales Before Tolkien, Douglas A. Anderson illuminated the sources, inspirations, and influences that fired J.R.R. Tolkien’s genius. Now Anderson turns his attention to Tolkien’s colleague and friend C. S. Lewis, whose influence on modern fantasy, through his beloved Narnia books, is second only to Tolkien’s own.

In many ways, Lewis’s influence has been even wider than Tolkien’s. For in addition to the Narnia series, Lewis wrote groundbreaking works of science fiction, urban fantasy, and religious allegory, and he came to be regarded as among the most important Christian writers of the twentieth century. It will come as no surprise, then, that such a wide-ranging talent drew inspiration from a variety of sources. Here are twenty of the tributaries that fed Lewis’s unique talent, among them:

“The Wood That Time Forgot: The Enchanted Wood,” taken from a never-before-published fantasy by Lewis’s biographer and friend, Roger Lancelyn Green, that directly inspired The Lion, the Witch, and the Wardrobe; E. Nesbit’s charming “The Aunt and Amabel,” in which a young girl enters another world by means of a wardrobe; “The Snow Queen,” by Hans Christian Andersen, featuring the abduction of a young boy by a woman as cruel as she is beautiful; and many more, including works by Charles Dickens, Kenneth Grahame, G. K. Chesterton, and George MacDonald, of whom Lewis would write, “I have never concealed the fact that I regarded him as my master.”

Full of fascinating insights into Lewis’s life and fiction, Tales Before Narnia is the kind of book that will be treasured by children and adults alike and passed down lovingly from generation to generation.

INCLUDING SEVENTEEN MORE WORKS BY THE PROGENITORS OF MODERN FANTASY AND SCIENCE FICTION:
“Tegnér’s Drapa” by Henry Wadsworth Longfellow
“The Magic Mirror” by George MacDonald
“Undine” by Friedrich de la Motte Fouqué
“Letters from Hell: Letter III” by Valdemar Thisted
“Fastosus and Avaro” by John Macgowan
“The Tapestried Chamber; or, The Lady in the Sacque” by Sir Walter Scott
“The Story of the Goblins Who Stole a Sexton” by Charles Dickens
“The Child and the Giant” by Owen Barfield
“A King’s Lesson” by William Morris
“The Waif Woman: A Cue—From a Saga” by Robert Louis Stevenson
“First Whisper of The Wind in the Willows” by Kenneth Grahame
“The Wish House” by Rudyard Kipling
“Et in Sempiternum Pereant” by Charles Williams
“The Dragon’s Visit” by J.R.R. Tolkien
“The Coloured Lands” by G. K. Chesterton
“The Man Who Lived Backwards” by Charles F. Hall
“The Dream Dust Factory” by William Lindsay Gresham

Adult/High School—This anthology includes stories, poems, and folktales that provided source material and influenced the writings of C. S. Lewis. Included are pieces by E. Nesbit, Hans Christian Andersen, Sir Walter Scott, Charles Dickens, Rudyard Kipling, and J. R. R. Tolkien. Some of these authors were widely read by Lewis and documented as such; others were chosen by Anderson due to story elements and passages that strongly resemble those within Lewis's work. In brief source notes preceding each entry, the editor speaks to the perceived influences. He also quotes passages within Lewis's work that appear derivative of, or at least inspired by, the earlier author. Similarities in allegory and metaphor, specifically theological in nature, are pointed out. Serious fans of Lewis's writing or those interested in his biography, emerging writers of fantasy, and students studying comparative literature or literary criticism will find this a provocative resource. Background information on each author and a recommended reading list are included.—Jodi Mitchell, Berkeley Public Library, CA
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