The Tattoo Collector (Paperback)

Tim Tim Cheng

ISBN 10: 191676004X / ISBN 13: 9781916760042

Published by Nine Arches Press, Rugby, 2024

About this Item

Paperback. I moved to a country called writing declares Tim Tim Cheng in this striking debut collection. The Tattoo Collector explores family history, displacement, politics, protest, and, as it moves between East and West, the uses of language to illustrate and interrogate what lies in between. As these poems range from Hong Kong, Scotland, and London, they unravel the relationship between the body, ecology and class with precise and haunting tenderness.Here, in Chengs illuminating and needle-sharp poems, the tattoo is a narrative, the body a radical means of expression. In states of flux, between resisting and belonging, we enter museums, hospitals, graveyards, and gigs. These intimate and polyphonic poems invite us to be troubled and enthralled by exhibits and the stories they have to tell, to look inside the glass box and study what is on display. Close-up, the poems bring into the daylight details that can be seen skin-deep on the surface, as well as those which point to another meaning, inked indelibly, beneath. The Tattoo Collector ranges between Hong Kong, Scotland, and London, exploring the intertwined relationship between the body, ecology and class where protests, gigs and the tattooed body form a vital line of connection. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Seller Inventory # 9781916760042

Bibliographic Details

• Title: The Tattoo Collector (Paperback)
• Publisher: Nine Arches Press, Rugby
• Publication Date: 2024
• Language: English
• ISBN 10: 191676004X
• ISBN 13: 9781916760042
• Binding: Paperback
• Condition: new

About this title

Synopsis

“I moved to a country called writing” declares Tim Tim Cheng in this striking debut collection. The Tattoo Collector explores family history, displacement, politics, protest, and, as it moves between East and West, the uses of language to illustrate and interrogate what lies in between. As these poems range from Hong Kong, Scotland, and London, they unravel the relationship between the body, ecology and class with precise and haunting tenderness.

Here, in Cheng’s illuminating and needle-sharp poems, the tattoo is a narrative, the body a radical means of expression. In states of flux, between resisting and belonging, we enter museums, hospitals, graveyards, and gigs. These intimate and polyphonic poems invite us to be troubled and enthralled by exhibits and the stories they have to tell, to look inside the glass box and study what is on display. Close-up, the poems bring into the daylight details that can be seen skin-deep on the surface, as well as those which point to another meaning, inked indelibly, beneath.