Synopsis
François Sudre was a nineteenth-century musician who invented something long dreamed of by philosophers: a language based on music. For several decades he successfully demonstrated his new musical language throughout Europe to astonished audiences. No one ever reported a case where this system failed to communicate a desired text, regardless of the original language. On the other hand, no one else could duplicate his accomplishment and so the new musical language failed to take root. There was one remarkable result, however, for Sudre’s system was clearly the seed which, in Wagner, blossomed into his leit-motiv idea associated with his four operas of The Ring.
About the Author
David Whitwell studied conducting at the Akademie für Musik, Vienna, with Hans Swarowsky, and with Eugene Ormandy. He has conducted resident ensembles in Austria, Switzerland, Israel, Japan, Wales, England, Germany, The Netherlands, Bolivia, Peru, Korea, Taiwan, Russia and the United States, among them the Philadelphia Orchestra, Seattle Symphony Orchestra, the Czech Radio Orchestras of Brno and Bratislava, and The National Youth Orchestra of Israel. David Whitwell was named as one of six men who have determined the course of American bands during the second half of the twentieth century, in the definitive history, The Twentieth Century American Wind Band (Meredith Music), and he is one of nine men described by Paula A. Crider in The Conductor's Legacy (Chicago: GIA, 2010) as 'the legendary conductors' of the twentieth century.
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