Telling Our Stories of Home: International Performance Pieces by and About Women

What is home? The answer seems obvious. But Telling Our Stories of Home, an international collection of eleven plays by and about women from Lebanon, Haiti, Venezuela, Uganda, Palestine, Brazil, India, UK, and the US, complicates the answer. The "answer" includes stories as far-ranging as: enslaved women trying to create a home, one by any means necessary, and one in the ocean; siblings wrestling with their differing devotion to home after their mother’s death; a family wrestling with the government's refusal to allow the burial of their soldier-son in their hometown; a young scholar attempting to feel at home after studying abroad; a young man fleeing home due to his sexual orientation only to discover the difficulty of creating home elsewhere, and Siddis (Indians of African descent) continuing to struggle for acceptance despite having lived in India for over 600 years. These are voices seldom represented to a larger audience. The plays and performance pieces range from 20 to 90-minute pieces and include a mix of monologue, duologue, and ensemble plays. Short yet powerful, they allow fantastic performance opportunities particularly in an age of social-distancing with flexible casts that together invite the theme of home to be performed and studied on the page. The plays include: The House by Arzé Khodr (Lebanon), Happy by Kia Corthron (US), The Blue of the Island by Évelyne Trouillot (Haiti), Nine Lives by Zodwa Nyoni (UK), Leaving, but Can't Let Go by Lupe Gehrenbeck (Venezuela), Questions of Home by Doreen Baingana (Uganda), On the Last Day of Spring by Fidaa Zidan (Palestine) Letting Go and Moving On by Louella Dizon San Juan (US), Antimemories of an Interrupted Trip by Aldri Anunciação (Brazil), So Goes We by Jacqueline E. Lawton (US), and Those Who Live Here, Those Who Live There by Geeta P. Siddi and Girija P. Siddi (India)

Kia Cothron is an American playwright, activist, and television writer who has written a number of plays for theatre including Splash Hatch on the E Going Down (Center Stage, Yale Repository Theatre, New York Stage and Film, USA, Donmar Warehouse); Digging Eleven (Hartford Stage Company, USA); Seeking the Genesis (Goodman Theatre, Chicago, Manhattan Theater Club, New York); Life by Asphyxiation (Playwright's Horizons, USA); Wake Up Lou Rise (Delaware Theatre Company); Come Down Burning (Long Wharf Theatre, American Place Theatre, USA). She has won many awards, including a National Endowment for the Arts residency with Manhattan Theatre Club, the Kennedy Center Fund for New American Plays for Seeking the Genesis, Young Playwrights Inc's Joe A. Callaway Playwriting award for Come Down Burning, Delaware Theatre Company's First Connections Contest for Wake Up Lou Riser, New Professional Theater Playwriting Award for Cage Rhythm, a Van Lier Fellowship and a New Dramatists membership.

Amir Nizar Zuabi trained as an actor at the Nisan Nativ drama studio and is a founder of the ShiberHur Company. As a director, theatre work includes Alive from Palestine, When the World was Green (Young Vic); Stories Under Occupation (Al Kassaba, Ramallah); Voligo Andare In Prigone (Collosseo Theatre, Rome); Jidaria - Mahmoud Darwish (Palestinian National Theatre); Forget Herostratous; Tale of Autumn (Al Midan, Haifa); War or More, Sneeze and Other Shorts (ShiberHur); Samson and Delilah (Vlamsse Opera House). As a writer, work includes Clinging on Stone; Album; War or More; I am Yusuf and This Is My Brother.