Terrarium
Matthew Walsh
Sold by Rarewaves.com USA, London, LONDO, United Kingdom
AbeBooks Seller since June 11, 2025
New - Soft cover
Condition: New
Ships from United Kingdom to U.S.A.
Quantity: 2 available
Add to basketSold by Rarewaves.com USA, London, LONDO, United Kingdom
AbeBooks Seller since June 11, 2025
Condition: New
Quantity: 2 available
Add to basketShortlisted, Trillium Book Award for Poetry Longlisted, Nelson Ball Prize Raw, confessional, and often messy, Terrarium continues Matthew Walsh's exploration of Queer identity and desire against the lonely highs and lows of depression and addiction. In this new collection, Walsh begins where their debut collection, These are not the potatoes of my youth, left off. Writing in their trademark conversational style, Walsh wanders from Toronto parkettes "with remnants of magnolia leaves" to California, "a long/black cocktail dress the night lights/amethyst and citrine against the arm/muscle of the sea," their voice intimate and exposed, a whisper between friends or lovers. And then, when they ruminate on influences and themes as diverse as the poetry of Frank O'Hara and Gwendolyn MacEwen, the vagaries of Instagram, and the reimagination of Miss Havisham in a Toronto bathhouse, they offer readers the opportunity to think deeply or laugh loudly, reaching out to close the gap between us.
Seller Inventory # LU-9781773103327
Shortlisted, Trillium Book Award for Poetry
Longlisted, Nelson Ball Prize
Raw, confessional, and often messy, Terrarium continues Matthew Walsh’ s exploration of Queer identity and desire against the lonely highs and lows of depression and addiction.
In this new collection, Walsh begins where their debut collection, These are not the potatoes of my youth, left off. Writing in their trademark conversational style, Walsh wanders from Toronto parkettes “ with remnants of magnolia leaves” to California, “ a long/black cocktail dress the night lights/amethyst and citrine against the arm/muscle of the sea,” their voice intimate and exposed, a whisper between friends or lovers.
And then, when they ruminate on influences and themes as diverse as the poetry of Frank O’ Hara and Gwendolyn MacEwen, the vagaries of Instagram, and the reimagination of Miss Havisham in a Toronto bathhouse, they offer readers the opportunity to think deeply or laugh loudly, reaching out to close the gap between us.
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