Terrarium (Paperback)
Matthew Walsh
Sold by Grand Eagle Retail, Bensenville, IL, U.S.A.
AbeBooks Seller since October 12, 2005
New - Soft cover
Condition: New
Ships within U.S.A.
Quantity: 1 available
Add to basketSold by Grand Eagle Retail, Bensenville, IL, U.S.A.
AbeBooks Seller since October 12, 2005
Condition: New
Quantity: 1 available
Add to basketPaperback. Shortlisted, Trillium Book Award for Poetry Longlisted, Nelson Ball Prize Raw, confessional, and often messy, Terrarium continues Matthew Walshs exploration of Queer identity and desire against the lonely highs and lows of depression and addiction. In this new collection, Walsh begins where their debut collection, These are not the potatoes of my youth, left off. Writing in their trademark conversational style, Walsh wanders from Toronto parkettes with remnants of magnolia leaves to California, a long/black cocktail dress the night lights/amethyst and citrine against the arm/muscle of the sea, their voice intimate and exposed, a whisper between friends or lovers. And then, when they ruminate on influences and themes as diverse as the poetry of Frank OHara and Gwendolyn MacEwen, the vagaries of Instagram, and the reimagination of Miss Havisham in a Toronto bathhouse, they offer readers the opportunity to think deeply or laugh loudly, reaching out to close the gap between us. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Seller Inventory # 9781773103327
Shortlisted, Trillium Book Award for Poetry
Longlisted, Nelson Ball Prize
Raw, confessional, and often messy, Terrarium continues Matthew Walsh’ s exploration of Queer identity and desire against the lonely highs and lows of depression and addiction.
In this new collection, Walsh begins where their debut collection, These are not the potatoes of my youth, left off. Writing in their trademark conversational style, Walsh wanders from Toronto parkettes “ with remnants of magnolia leaves” to California, “ a long/black cocktail dress the night lights/amethyst and citrine against the arm/muscle of the sea,” their voice intimate and exposed, a whisper between friends or lovers.
And then, when they ruminate on influences and themes as diverse as the poetry of Frank O’ Hara and Gwendolyn MacEwen, the vagaries of Instagram, and the reimagination of Miss Havisham in a Toronto bathhouse, they offer readers the opportunity to think deeply or laugh loudly, reaching out to close the gap between us.
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