Traditional critical editing, defined by the paper and print limitations of the book, is now considered by many to be inadequate for the expression and interpretation of complex works of literature. At the same time, digital developments are permitting us to extend the range of text objects we can reproduce and investigate critically - not just books, but newspapers, draft manuscripts and inscriptions on stone. Some exponents of the benefits of new information technologies argue that in future all editions should be produced in digital or online form. By contrast, others point to the fact that print, after more than five hundred years of development, continues to set the agenda for how we think about text, even in its non-print forms. This important book brings together leading textual critics, scholarly editors, technical specialists and publishers to discuss whether and how existing paradigms for developing and using critical editions are changing to reflect the increased commitment to and assumed significance of digital tools and methodologies.

About the Author

Marilyn Deegan is Director of Research Development, Centre for Computing in the Humanities at King's College London as well as the Co-Director of the AHRB ICT Methods Network. She is editor of the journal Literary and Linguistics Computing and has worked on numerous digitization projects in the arts and humanities. Kathryn Sutherland is Professor of Bibliography and Textual Criticism at Oxford University. She teaches and researches on bibliography, textual criticism, Romantic period writings, Scottish Enlightenment, textual theory and Jane Austen.

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