The Theatre of the Body: Staging Death and Embodying Life in Early-Modern London (Late Medieval and Early Modern Studies) [Hardcover] Cregan, K.

This study is a threefold investigation of understandings of embodiment - as displayed in the playhouses, courthouses, and anatomy theatres of London between 1540 and 1696. These dates mark the waxing and waning of the Worshipful Company of Barber-Surgeons' domination of the practice of dissection in London. In 1540 Henry VIII gave them his approval and encouragement but by 1696 Edward Ravenscroft's The Anatomist: Or the Sham Doctor staged their loss of power. This loss of power, the book contends, is symptomatic of a major shift in the concept of embodiment. The book explains the changing understanding of the human body throughout this period by analysis of the interplay between the texts used in and the material practices of three specific public sites: the public playhouses, the Sessions House, and the Anatomy Theatre of the Worshipful Company of Barber-Surgeons of London. Using an approach which combines the socially textured understandings of fields of practice found in Bourdieu with the interpretations of progression across time found in Elias and Foucault, The Theatre of the Body demonstrates how the three fields of drama, law, and medicine are intimately inter-connected in that process. In presenting this analysis, the author argues that the quality of embodiment begins to shift during this period from the mid-sixteenth century and throughout the course of the seventeenth century. In this shift one can observe how the earlier, 'traditional' interpretation of embodiment is intensified and resolidified into the beginnings of the medicalized 'modern' body.

Kate Cregan is the author of Global Childhoods: Issues and Debates (SAGE, 2014), Key Concepts in Body and Society (SAGE, 2012), "Sociology of the Body: Mapping the Abstraction of Embodiment" (SAGE, 2006) and "The Theatre of the Body: Staging Death and Embodying Life in Early Modern London" (Brepols, 2009). The majority of her writing and research is based around understandings of the embodiment across time, space and culture-with particular reference to medical interpretations of the body, medical technologies and the representation in images of the body. Two of her allied interests are ethics (human, social and research) and writing pedagogies, in particular how becoming a writer informs the process of becoming a researcher. She has extensive experience teaching and researching in the humanities and social sciences and recently has co-ordinated the teaching of ethics to medical students across the five years of a medical degree. Currently, she is a senior lecturer in sociology in the School of Political and Social Inquiry, and she runs the interdisciplinary Graduate Researchers in Print writing program in the Faculty of Arts, Monash University, Melbourne.