The Theatrical Event : Dynamics of Performance and Perception

Sauter, Willmar

ISBN 10: 087745731X / ISBN 13: 9780877457312

Published by University of Iowa Press, 2000

About this Item

Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Seller Inventory # GRP95922808

Bibliographic Details

• Title: The Theatrical Event : Dynamics of Performance and Perception
• Publisher: University of Iowa Press
• Publication Date: 2000
• Language: English
• ISBN 10: 087745731X
• ISBN 13: 9780877457312
• Binding: Hardcover
• Condition: Good
• Weight: 1.362 pounds

About this title

Synopsis

The Theatrical Event discusses the objectives of theatre studies by focusing on the communicative encounter between performer and spectator—the theatrical event. A theatrical event includes the presentation of a performance and the attention of an audience; in this sense, every performance—on stage or in the street, historical or contemporary—that is watched by an audience is a theatrical event. The concept underlines the “eventness” of all encounters between performers and spectators.

In the Ūrst part of the book, Willmar Sauter presents various models for the analysis of theatrical events, examining the relationship between performance and perception and the interaction between the performative event and its context. Using examples from ancient and recent theatre history and discussing traditional and nontraditional approaches to theatre theory, he builds a paradigmatic change in the concept of theatre. Constructs such as playing culture (as opposed to written culture), theatrical communication, theatricality, and theatre as a model of cultural event are brought into focus and their methodological advantages explored.

The second part of the book uses the theoretical groundwork of the Ūrst part to enhance a variety of topics, including such legends as Sarah Bernhardt and other historical phenomena such as a Swedish Renaissance play, Strindberg's ideas on acting, the question of ethnicity in the political theatre of the 1930s, and critical writings on contemporary performances. Sauter examines how Robert Lepage's staging of A Dream Play is viewed by critics and scholars and analyzes Dario Fo's intercultural transfer to outdoor performances in Stockholm and the unusual sensationalism of Strindberg's Miss Julie.

About the Author

Willmar Sauter is professor of theatre studies and dean of humanities at Stockholm University in Sweden, author of Understanding Theatre: Performance Analysis in Theory and Practice, and former president of the International Federation for Theatre Research.