The story of Thomas Gilcrease (1890–1962) is the story of the world’s first oil boom, of a state in its formative years, of marriages and fortunes made and lost—but most lastingly it is the story of how the Gilcrease collection came to exist, and how Gilcrease Museum became an unparalleled treasure house now owned by the citizens of Tulsa, Oklahoma. With over 500,000 artifacts, pieces of art, and archival gems, it is a testament to one man’s dedication and vision. In Thomas Gilcrease, the man behind that museum is revealed.
Born in 1890, Thomas Gilcrease came of age at roughly the same time that Indian Territory became the forty-sixth state of the Union, in 1907. As a citizen of the Creek Nation, he received a 160-acre allotment near Kiefer—land located, as it turned out, within the famous Glenn Pool oil field. By August 1909, the forty-nine wells on this parcel were producing 25,000 barrels a month. Gilcrease and his wife began traveling the country, taking in art galleries and museums in New York City and the World’s Fair in San Francisco. It was in Tulsa, however, that he purchasedRural Courtship, his first piece of art, and began a collection that eventually contained thousands
As he advanced in age and his wealth increased, Gilcrease contemplated how to use his fortune to create something of value for future generations. In 1931 he told his friend Robert Humber of his decision: he would establish the Gilcrease Foundation, which would fund a museum, a library, and a home for underprivileged children.
The ten essays in this volume, illustrated with more than 100 color images and rarely seen historical photographs, tell the story of one man’s life and legacy. The contributors include present and former staff of the Gilcrease Museum and regular contributors to its journal. “Every man must leave a track,” Gilcrease once said, “and it might as well be a good one.”
Carole Klein, Associate Curator of Art at Gilcrease, has been on staff since 1991. She has in-depth experience working with the museum’s art collection for research and exhibitions and has written extensively for related publications and the
Gilcrease Journal. As a professional artist, Carole brings direct experience and knowledge of art media and techniques to her curatorial work.
Kimberly Roblin has worked with the anthropology, art, and archival collections since joining Gilcrease in 2005. An Associate Curator, she researches and develops content for exhibitions and is a regular contributor to the museum’s publications, including the Gilcrease Series and the
Gilcrease Journal. She received her undergraduate and graduate degrees from the University of Oklahoma.
Anne Morand (1951-2013) was the curator of Native American Art at the National Cowboy Hall and Western Heritage Museum in Oklahoma City.
Randy Ramer is Director of Exhibitions and Publications for Gilcrease Museum.
