Three Cases of Value Reflection (Paperback)

Isabelle Graw

ISBN 10: 3956795253 / ISBN 13: 9783956795251

Published by Sternberg Press, New York, 2020

About this Item

Paperback. Examinations of Francis Ponge's texts on Jean Fautrier's "Hostage Paintings," Jack Whitten's Memorial Paintings, and Banksy's auction stunt Love Is in the Bin.Examinations of Francis Ponge's texts on Jean Fautrier's "Hostage Paintings," Jack Whitten's Memorial Paintings, and Banksy's auction stunt Love is in the Bin.This book contains three case studies on very different artists, analyzing their work through their respective historical contexts- the writer Francis Ponge (1899-1988) and his seminal text on Jean Fautrier's "Hostage Paintings" from 1943; visual artist Jack Whitten's (1939-2018) Memorial Paintings and Banksy's notorious auction stunt Love is in the Bin from 2018.Examining all three artistic propositions from a value-theoretical point of view, Graw finds Ponge's text on Fautrier to be "doubly materialist" insofar as it (seemingly) reveals its own material conditions while simultaneously grasping the specific materiality of Fautrier's paintings; suggests that the indications of value in Whitten's painting to be more indirect; and reveals Banksy's value reflections to have a very different generational thrust.Gaw shows that Ponge's text is full of value-reflexive insights but that Ponge himself is an ambivalent figure. She finds that the dedication of Whitten's paintings inscribes them in a system of exchange. And, finally, the deliberate aesthetic meagerness of Banksy's Love Is in the Bin points to an emptiness at the heart of value.Institut f r Kunstkritik series Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Seller Inventory # 9783956795251

Bibliographic Details

• Title: Three Cases of Value Reflection (Paperback)
• Publisher: Sternberg Press, New York
• Publication Date: 2020
• Language: English
• ISBN 10: 3956795253
• ISBN 13: 9783956795251
• Binding: Paperback
• Condition: new

About this title

Synopsis

Examinations of Francis Ponge's texts on Jean Fautrier's “Hostage Paintings,” Jack Whitten's Memorial Paintings, and Banksy's auction stunt Love is in the Bin.

This book contains three case studies on very different artists, analyzing their work through their respective historical contexts: the writer Francis Ponge (1899–1988) and his seminal text on Jean Fautrier's “Hostage Paintings” from 1943; visual artist Jack Whitten's (1939–2018) Memorial Paintings and Banksy's notorious auction stunt Love is in the Bin from 2018.

Examining all three artistic propositions from a value-theoretical point of view, Graw finds Ponge's text on Fautrier to be “doubly materialist” insofar as it (seemingly) reveals its own material conditions while simultaneously grasping the specific materiality of Fautrier's paintings; suggests that the indications of value in Whitten's painting to be more indirect; and reveals Banksy's value reflections to have a very different generational thrust.

Gaw shows that Ponge's text is full of value-reflexive insights but that Ponge himself is an ambivalent figure. She finds that the dedication of Whitten's paintings inscribes them in a system of exchange. And, finally, the deliberate aesthetic meagerness of Banksy's Love Is in the Bin points to an emptiness at the heart of value.

Institut für Kunstkritik series

About the Author

Isabelle Graw (Frankfurt am Main/Berlin) is Professor of Art Theory and Art History at the Staatliche Hochschule für bildende Künste–Städelschule, Frankfurt am Main. In 1990 Graw and Stefan Germer founded the quarterly magazine Texte zur Kunst. In 2003, Graw and Daniel Birnbaum founded the Institut für Kunstkritik at the Städelschule.