An original consideration of the temporal in digital art and aesthetics Num Pages: 248 pages, , black & white illustrations. BIC Classification: ACXD. Category: (G) General (US: Trade). Dimension: 228 x 156 x 16. Weight in Grams: 378. . 2012. Paperback. . . . .

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Bibliographic Details

Title: Time and the Digital: Connecting Technology, Aesthetics, and a Process Philosophy of Time (Interfaces: Studies in Visual Culture)
Publisher: Dartmouth
Publication Date: 2012
Language: English
ISBN 10: 1611683009
ISBN 13: 9781611683004
Binding: Soft cover
Condition: New

About this title

Synopsis

Eschewing the traditional focus on object/viewer spatial relationships, Timothy Scott Barker’s Time and the Digital stresses the role of the temporal in digital art and media. The connectivity of contemporary digital interfaces has not only expanded the relationships between once separate spaces but has increased the complexity of the temporal in nearly unimagined ways. Invoking the process philosophy of Whitehead and Deleuze, Barker strives for nothing less than a new philosophy of time in digital encounters, aesthetics, and interactivity. Of interest to scholars in the fields of art and media theory and philosophy of technology, as well as new media artists, this study contributes to an understanding of the new temporal experiences emergent in our interactions with digital technologies.

About the Author

TIMOTHY SCOTT BARKER is a lecturer in digital media at the University of Glasgow and a visiting research fellow at the University of New South Wales.

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