Time in the Medieval World (Paperback)

Colum Hourihane

ISBN 10: 0976820234 / ISBN 13: 9780976820239

Published by Index of Christian Art, Dept. of Art and Archaeology, Princeton University, 2007

About this Item

Paperback. This volume is a rich resource for the study of time as represented by the signs of the zodiac and occupations of the months, documented in the comprehensive files of the Index of Christian Art at Princeton University. The measurement and documentation of time has been a universal issue since the dawn of civilization - and no more so than in the medieval period, when images representing the signs of the zodiac and occupations of the months were commonly used. Nature and the occupations or labors that each month brought are reflected in earthly calendars, while the movements of the heavens and their impact on mankind were recorded in the signs of the zodiac. The changing compositions that were used to represent these twin calendars in several hundred works of art are documented in this volume, which provides an unrivalled visual record for the student and scholar. A resource for the study of time as represented by the signs of the zodiac and occupations of the months, documented in the comprehensive files of the Index of Christian Art at Princeton University. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Seller Inventory # 9780976820239

Bibliographic Details

• Title: Time in the Medieval World (Paperback)
• Publisher: Index of Christian Art, Dept. of Art and Archaeology, Princeton University
• Publication Date: 2007
• Language: English
• ISBN 10: 0976820234
• ISBN 13: 9780976820239
• Binding: Paperback
• Condition: new

About this title

Synopsis

This volume is a rich resource for the study of time as represented by the signs of the zodiac and occupations of the months, documented in the comprehensive files of the Index of Christian Art at Princeton University.

The measurement and documentation of time has been a universal issue since the dawn of civilization―and no more so than in the medieval period, when images representing the signs of the zodiac and occupations of the months were commonly used. Nature and the occupations or labors that each month brought were reflected in earthly calendars, while the movements of the heavens and their impact on mankind were recorded in the signs of the zodiac. The changing compositions that were used to represent these twin calendars in several hundred works of art are documented in this volume, which provides an unrivaled visual record for the student and scholar.

About the Author

Colum Hourihane is Director of the Index of Christian Art, Princeton. His most recent publication is The Processional Cross in Late Medieval England: The “Dallye Cross” (2005).