Titanic : Anatomy of a Blockbuster

Kevin S Sandler

ISBN 10: 0813526698 / ISBN 13: 9780813526690

Published by Rutgers University Press Aug 1999, 1999

About this Item

Neuware - In 1997, James Cameron's ''Titanic'', became the first motion picture to earn a billion dollars worldwide. These essays ask the question: What made ''Titanic'' such a popular movie Why has this film become a cultural and film phenomenon What makes it so fascinating to the film-going public.

Seller Inventory # 9780813526690

Bibliographic Details

• Title: Titanic : Anatomy of a Blockbuster
• Publisher: Rutgers University Press Aug 1999
• Publication Date: 1999
• Language: English
• ISBN 10: 0813526698
• ISBN 13: 9780813526690
• Binding: Taschenbuch
• Condition: Neu
• Dimensions: 235W x 157H x 20D millimeters 235 millimeters width by 157 millimeters height by 20 millimeters depth
• Weight: 499 grams

About this title

Synopsis

On April 14, 1912, the Titanic struck an iceberg off Newfoundland. Taking more than 1,500 souls with her, Titanic sunk on what was intended to be the glorious maiden voyage of the biggest, most expensive, and most technologically advanced ship ever built.

In 1997, James Cameron’s Titanic, the most expensive and technologically advanced movie ever made, hit theaters. In 13 weeks, it became the highest-grossing film in North America, and shortly thereafter, the first motion picture to earn a billion dollars worldwide.

The cultural studies and film scholars who have contributed 13 essays to this collection ask the key question—Why? What made Titanic such a popular movie? Why has this film become a cultural and film phenomenon? What makes it so fascinating to the film-going public?

The articles address everything from the nostalgia evoked by the film to the semiotic meaningfulness created around “The Heart of the Ocean” diamond that figures so prominently as a symbol in the film. Contributors address questions of the representations of class, sexuality, and gender; analyze the cross-cultural reception of the film in nationally specific contexts; examine the impact of strategies for marketing the film through music; and  cover the implications of the budget toward the film’s success. Finally, the contributors address the film’s multi-faceted relationship to genre, history, stardom, and contemporary social and economic means.

About the Author

Kevin S. Sandler is a visiting assistant professor of English at Indiana University - Purdue University at Indianapolis and the editor of Reading the Rabbit: Explorations in Warner Bros. Animations (Rutgers University Press). 

Gaylyn Studlar is the director of the Program in Film and Video Studies and a professor of film and English literature at the University of Michigan. She is the co-editor of Visions of the East: Orientalism in Film (Rutgers University Press) and the author of numerous books and articles on film and gender.