Top 40 Democracy : The Rival Mainstreams of American Music

Eric Weisbard

ISBN 10: 0226896188 / ISBN 13: 9780226896182

Published by The University Of Chicago Press Nov 2014, 2014

About this Item

Neuware - Love it or hate it, the world that radio made has steered popular music and provided the soundtrack of American life for more than half a century. The author studies the evolution of this multicentered pop landscape, along the way telling the stories of the Isley Brothers, Dolly Parton, A&M Records, and Elton John, among others.

Seller Inventory # 9780226896182

Bibliographic Details

• Title: Top 40 Democracy : The Rival Mainstreams of American Music
• Publisher: The University Of Chicago Press Nov 2014
• Publication Date: 2014
• Language: English
• ISBN 10: 0226896188
• ISBN 13: 9780226896182
• Binding: Taschenbuch
• Condition: Neu
• Dimensions: 229W x 153H x 16D millimeters 229 millimeters width by 153 millimeters height by 16 millimeters depth
• Weight: 508 grams

About this title

Synopsis

If you drive into any American city with the car stereo blasting, you’ll undoubtedly find radio stations representing R&B/hip-hop, country, Top 40, adult contemporary, rock, and Latin, each playing hit after hit within that musical format. American music has created an array of rival mainstreams, complete with charts in multiple categories. Love it or hate it, the world that radio made has steered popular music and provided the soundtrack of American life for more than half a century.

In Top 40 Democracy, Eric Weisbard studies the evolution of this multicentered pop landscape, along the way telling the stories of the Isley Brothers, Dolly Parton, A&M Records, and Elton John, among others. He sheds new light on the upheavals in the music industry over the past fifteen years and their implications for the audiences the industry has shaped. Weisbard focuses in particular on formats―constructed mainstreams designed to appeal to distinct populations―showing how taste became intertwined with class, race, gender, and region. While many historians and music critics have criticized the segmentation of pop radio, Weisbard finds that the creation of multiple formats allowed different subgroups to attain a kind of separate majority status―for example, even in its most mainstream form, the R&B of the Isley Brothers helped to create a sphere where black identity was nourished.  Music formats became the one reliable place where different groups of Americans could listen to modern life unfold from their distinct perspectives. The centers of pop, it turns out, were as complicated, diverse, and surprising as the cultural margins. Weisbard’s stimulating book is a tour de force, shaking up our ideas about the mainstream music industry in order to tease out the cultural importance of all performers and songs.

About the Author

Eric Weisbard is assistant professor of American studies at the University of Alabama and the founder and longtime organizer of the acclaimed EMP Pop Conference.