De Toth On De Toth. Putting The Drama In Front Of The Camera

De Toth, Andre. Slide, Anthony, Edited By

ISBN 10: 0571177301 / ISBN 13: 9780571177301

Published by Faber & Faber, London, 1996

About this Item

INSCRIBED AND SIGNED BY ANDRE DE TOTH. A B movie director who was respected by a wide range of critics and other directors. He's most known for making the best 3-D movie "House Of Wax" even though he had only one eye. 42 photos. A scarce signature of a significent director of B movies. Fine.

Seller Inventory # 006960

Bibliographic Details

• Title: De Toth On De Toth. Putting The Drama In Front Of The Camera
• Publisher: Faber & Faber, London
• Publication Date: 1996
• Language: English
• ISBN 10: 0571177301
• ISBN 13: 9780571177301
• Binding: Paper
• Edition: 1st Printing.
• Book Type: Book
• Seller catalogs:
  • Film And Entertainment
  • Signed Books
  • Film Noir

About this title

Synopsis

A fascinating survey of the career of one of Hollywood's great mavericks. Andre de Toth expounds on his film-making career. The cast of characters includes his former wife Veronica Lake, along with a host of Hollywood's greatest, late and present. De Toth talks about his work on "Lawrence of Arabia" and "Superman, " as well as how a one-eyed director could make the 3-D masterpiece, "House of Wax." 27 photographs.

Review

Though this is a transcript of conversations between filmmaker Andre de Toth and interviewer Anthony Slide, de Toth consistently addresses his remarks to an invisible listener whom he calls "Herr Future Director." De Toth seems to think that the only people interested in his remarks are those who wish to become filmmakers. But the dialogues here will fascinate anyone curious about Hollywood in the 1940s, '50s, and '60s; the producers who ran it; and the directors who struggled to realize their visions on screen. Part of the fun of this interview is watching de Toth sneak around Slide's questions, jumping from them to the topics he wishes to discuss, the counsel he wishes to dispense. Though he begins by saying he does not know the secret of being a film director, it becomes clear in the reading that de Toth believes good directors must have a strong sense of personal integrity as well as humble insight into their limitations. Evasive and cantankerous as de Toth so often appears, his fiercely independent and curiously charming personality jumps right off the pages of this enjoyable book.