Synopsis
Toxic nostalgia is not a new phenomenon, and instances of an undying past refusing to perish and plaguing the present, can be found throughout history. However, examined in Toxic Nostalgia on Screen, in the early years of the new millennium, it has acquired further meaning and not just applies to a dangerous longing for the past, but a way of being in the present world. Here in our modern time, undead memory is not just a remembrance of the past that is visited upon the present with negative implications, but the embodiment of monstrous imagined histories and ideologies that dictate the way we live today so that tomorrow is not the future, but a never-ending return to the past.
About the Authors
Simon Bacon is an independent scholar working in Poland. He has previously edited works such as Gothic: A Reader, Horror: A Companion and Monsters: A Companion. Previous monographs include Becoming Vampire, Dracula as Absolute Other, Eco-Vampires, Vampires From Another World, and Unhallowed Ground.
Lorna Piatti-Farnell is Academic Dean at SAE Creative Media Institute in Auckland, New Zealand.
Reece Goodall is Director of Student Experience at the University of Warwick, UK, where he completed a PhD thesis comprising an industrial and theoretical analysis of contemporary French horror cinema. His research interests include horror and other genres in French cinema, the contemporary horror genre, and the interplay between media, news, and politics.
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