Title: Toxic Nostalgia on Screen : Undead Memory in the Twenty-First Century
Publisher: Lexington Books
Publication Date: 2024
Language: English
ISBN 10: 1666935603
ISBN 13: 9781666935608
Binding: Hardcover
Condition: New

About this title

Synopsis

Choice 2025 Outstanding Academic Title

Toxic nostalgia is not a new phenomenon, and instances of an undying past refusing to perish and plaguing the present, can be found throughout history. However, examined in Toxic Nostalgia on Screen, in the early years of the new millennium, it has acquired further meaning and not just applies to a dangerous longing for the past, but a way of being in the present world. Here in our modern time, undead memory is not just a remembrance of the past that is visited upon the present with negative implications, but the embodiment of monstrous imagined histories and ideologies that dictate the way we live today so that tomorrow is not the future, but a never-ending return to the past.

About the Authors

Simon Bacon is an independent scholar, author, and film critic based in Poznan, Poland.

Lorna Piatti-Farnell is Academic Dean at SAE Creative Media Institute in Auckland, New Zealand.

Reece Goodall is Director of Student Experience at the University of Warwick, UK, where he completed a PhD thesis comprising an industrial and theoretical analysis of contemporary French horror cinema. His research interests include horror and other genres in French cinema, the contemporary horror genre, and the interplay between media, news, and politics.

Brandon R. Grafius is assistant professor of biblical studies at Ecumenical Theological Seminary.

Steffen Hantke is Associate Professor at the English Department of Sogang University in Seoul. He is the author of Paranoia and Conspiracy in Contemporary American Literature: The Works of Don DeLillo and Joseph McElroy (1994) and editor of Horror Film: Creating and Marketing Fear (2004). His reviews and articles have appeared in Literature/Film Quarterly, Studies in the Novel, The Journal of Popular Culture, and Film Criticism.

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