TRANS>, a new multilingual journal from Latin America, chronicles contemporary art and culture from around the world. The multidisciplinary publication is divided into three sections - Project Sites, Telesymposium, and Overviews, Views and Reviews - and includes theoretical, critical, art historical and fictional texts by leading thinkers and critics. Bound into each issue is a 50-page, full-color artist's project created especially for Trans>. Published three times a year. Back issues available. Volume 5 Features a dialogue between Juan Goytisolo and Julia Kristeva, discussing the critical role that the intellectual should serve in society. A music CD titled Critical Inquiry in Green by Mike Kelley and Tony Oursler along with extensive art essays and reviews.Dimension: 8 x 10 inches, 50 color and extensive b&w images.
Sandra Antelo-Suarez
Marina Abramovic was born in Belgrade, ex-Yugoslavia. She divides her time between Amsterdam, Paris and Berlin. Her work is represented by Sean Kelly in New York City.
Thomas Angotti is an Urban Planner and Associate Professor in the Department of City & Regional Planning at Pratt Institute in Broklyn. His most recent book is Metropolis 2000: Planning, Poverty & Politics (1993).
Victoria Benatar Urban is an architect and urban designer. She teaches at Columbia University and at Parsons School of Design.
M. Christine Boyer is William R. Kenan Jr. Professor of Architecture at Princeton University. Among her publications are The City of Collective Memory: Its Historical Imagery and Architectural Entertainments (1994).
AA Bronson is the surviving member of the artists' group General Idea, who lived and worked together for twenty seven years. His partners Felix Partz and Jorge Zontal both died od AIDS-related causes in 1994. AA currently lives and works in Toronto, Canada, where he is assembling The General Idea Archives.
Joshua Decter us a New York based critic and curator.
Lydia Dona is an artist based in New York. She shows with L.A. Louver Gallery in Los Angeles, Galerie des Archives in Paris and Galerie Nachst St. Stephan in Vienna.
Geoffrey Fox is the author if Hispanic Nation: Culture, Politics, and the Constructing of Identity (1996), and 5 previous books on Latin America. He currently teaches Labor Studies at Wayne State University.
Jess Fuenmayor is an art critic and curator based in Caracas.
Kathryn Hixson is an art critic based in Chicago. She is the Associate Editor at the New Art Examiner.
Laura Hoptman is Assistant Curator at the Drawing Department at MoMA, New York, where she recently curated an exhibition called Drawing on Chance.
Richard Ingersoll is the Editor of Design Book Review and teaches architectural history at Rice University. His latest books include Le Corbusier: A Marriage of Contours (1989), and Streets: Critical Perspectives on Public Space (1994).
Alfredo Jaar is a frustrated architect and filmmaker from Chile making art in New YOrk.
Yishai Jusidman is a painter and part-time critic living in Mexico City.
Susan Kandel is an art historian and critic based in Los Angeles. She is the U.S. editor of Art+Text and writes a regular review column for Los Angeles Times.
Adriano Pedrosa is an artist and writer who divides his time between Rio de Janeiro and Los Angeles.
Daniel Pinchbeck's articles have appeared in The New York Times Magazine, esquire, ArtNews, and elsewhere,
Suely Rolnick is a psychoanalyst, professor at PUC/SP. She is the author of Sentimental Cartography. Contemporary Transformations of Desitre (1989) and co-authored with Flix Guattari - Micropolitics. Cartographies of Desire (1978).
Susanan Torre us an architect, urban designer and educator. She is the former Director of Cranbrook Academy of Art and co-editor, with Zeynep Celik, of a forthcoming book on the relationship between urban settings and social actions in the production ofpublic space.
Meyer Vaisman was born in Caracas in 1964. He was the co-director of International with Monument Gallery. His work has been exhibited at Leo Castelli, Sonnabend, Jablonka, Jay Gorney, Temnplon and 303 Gallery.
William Wilson wrote the last time on Dan Falvin in ArtNews, 1970, an article titled "Fiat Lux". He has recently published essays on Eva Hesse, Rebecca Horn and Mel Bochner.
