Translating For Singing
Language: English
Published by Bloomsbury Publishing PLC, GB, 2016
- Softcover
- New

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Add to basketItem description from seller
Translating for Singing discusses the art and craft of translating singable lyrics, a topic of interest in a wide range of fields, including translation, music, creative writing, cultural studies, performance studies, and semiotics. Previously, such translation has most often been discussed by music critics, many of whom had neither training nor experience in this area. Written by two internationally-known translators, the book focusses mainly on practical techniques for creating translations meant to be sung to pre-existing music, with suggested solutions to such linguistic problems as those associated with rhythm, syllable count, vocal burden, rhyme, repetition and sound. Translation theory and translations of lyrics for other purposes, such as surtitles, are also covered.The book can serve as a primary text in courses on translating lyrics and as a reference and supplementary text for other courses and for professionals in the fields mentioned. Beyond academia, the book is of interest to professional translators and to librettists, singers, conductors, stage directors, and audience members.…
Seller Inventory # LU-9781472571885
- Title
- Translating For Singing
- Author
- Ronnie Apter, Mark Herman
- Publisher
- Bloomsbury Publishing PLC, GB
- Publication year
- 2016
- Condition
- New
- Binding
- Paperback
- Language
- English
- ISBN 10
- 1472571886
- ISBN 13
- 9781472571885
- Item weight
- 440 grams
- Series
- Book 10 of 26: Bloomsbury Advances in Translation
Translating for Singing discusses the art and craft of translating singable lyrics, a topic of interest in a wide range of fields, including translation, music, creative writing, cultural studies, performance studies, and semiotics. Previously, such translation has most often been discussed by music critics, many of whom had neither training nor experience in this area. Written by two internationally-known translators, the book focusses mainly on practical techniques for creating translations meant to be sung to pre-existing music, with suggested solutions to such linguistic problems as those associated with rhythm, syllable count, vocal burden, rhyme, repetition and sound. Translation theory and translations of lyrics for other purposes, such as surtitles, are also covered.
The book can serve as a primary text in courses on translating lyrics and as a reference and supplementary text for other courses and for professionals in the fields mentioned. Beyond academia, the book is of interest to professional translators and to librettists, singers, conductors, stage directors, and audience members.
"Synopsis" may belong to another edition of this title.
About the Author
Mark Herman is a literary translator, technical translator, chemical engineer, playwright, musician, and actor. For over two decades he has written the 'Humor and Translation Column' appearing monthly in The ATA Chronicle, the journal of the American Translators Association. Many of his book reviews have appeared in Ars Lyrica. He frequently collaborates with Ronnie Apter.
Jeremy Munday is Director of the Centre for Translation Studies, University of Leeds, UK.
Kathryn Batchelor is Professor of Translation Studies at University College London (UCL), UK. Her research interests encompass translation theory, translation history, philosophies of translation, and translation in or involving Africa. She is the author of Decolonizing Translation (2009) and Translation and Paratexts (2018), and has co-edited six volumes of essays, including Intimate Enemies: Translation in Francophone Contexts (2013), co-edited with Claire Bisdorff; Translating Frantz Fanon Across Continents and Languages (2017), co-edited with Sue-Ann Harding; and Translation, Trouvailles (2023), co-edited with Chantal Wright. For a full list of publications, see https://profiles.ucl.ac.uk/71119-kathryn-batchelor/publications
"About the title" may belong to another edition of this title.
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