Never have there been so many different types of translations of Greek and Latin literature into English. Most people experience Homer and Greek tragedy for the first time through translations. New versions of Vergil and Ovid have become best sellers. This book examines the literary and cultural environment underlying the various kinds of translation - from 'faithful' and 'equivalent' through 'imitation' to 'adaptation' and 'version' - discussing the extent to which translations have been regarded as creative work in their own right and their impact in the work of modern writers such as Harrison, Heaney, Hughes and Walcott.
Key themes include the challenge presented by translations to conventional interpretations of the classical canon; the implications of translating across genres - for example in the staging of epic; and the role of translations in twentieth-century conflicts. Lorna Hardwick suggests that translations from Greek and Latin literature are catalysts in the refiguring of both poetic and political awareness and that in transplanting myths and metaphors into disparate cultures, translations energise new senses of cultural identity.
Christopher Stray, author and editor of several books on the subject, is the leading historian of English Classics.
Susanna Morton Braund is Professor of Latin Poetry and Its Reception at University of British Columbia, Vancouver, Canada. She has published extensively on Roman satire, Latin epic poetry and Seneca, including for Bloomsbury The Roman Satirists and Their Masks (1998).
Paul Cartledge is A. G. Leventis Professor of Greek Culture at Cambridge University, UK, and a Fellow of Clare College. He has published extensively on Greek history over several decades, including The Cambridge Illustrated History of Ancient Greece (1997, new edition 2002), Alexander the Great: The Hunt for a New Past (2004, revised edition 2005), Ancient Greek Political Thought in Practice (2009), and Democracy: A Life (2016).