Transparency of Spectacle: Meditations on the Moving Image

Dixon, Wheeler Winston

ISBN 10: 0791437825 / ISBN 13: 9780791437827

Published by State University of New York Press, Albany, NY, 1998

About this Item

223 pp. Tightly bound. Spine not compromised. Text is free of markings. No ownership markings. No remainder markings.

Seller Inventory # 027099

Bibliographic Details

• Title: Transparency of Spectacle: Meditations on the Moving Image
• Publisher: State University of New York Press, Albany, NY
• Publication Date: 1998
• Language: English
• ISBN 10: 0791437825
• ISBN 13: 9780791437827
• Binding: Paperback
• Condition: Near Fine to Fine

About this title

Synopsis

The Transparency of Spectacle considers the ephemeral nature of the cinematic experience as we now apprehend it, and examines the ways in which technological advances in film and moving image production have changed this experience over the course of the last thirty-odd years.

While agreeing that the "digitization" of the cinema is inevitable, and even a necessary adjustment to the economic realities of end-of-the-millennium cinema production, Dixon argues that it represents a basic representational shift in the relationship between the spectator and the image-production apparatus of the cinematograph.

More than ever all visual input is merely raw material which is then subjected to digital "polishing" and "tweaking" until it attains a sheen of artificial splendor that is utterly removed from the photographic reproduction of the object and/or person originally photographed.

About the Author

Wheeler Winston Dixon is the James Ryan Professor of Film Studies, Coordinator of the Film Studies Program, Professor of English at the University of Nebraska, Lincoln, and, with Gwendolyn Audrey Foster, editor of the new book series Quick Takes: Movies and Popular Culture for Rutgers University Press.

His recent books include Black & White Cinema: A Short History (2015); Streaming: Movies, Media and Instant Access (2013); Death of the Moguls: The End of Classical Hollywood (2012); 21st Century Hollywood: Movies in the Era of Transformation (2011, co-authored with Gwendolyn Audrey Foster); A History of Horror (2010); and Film Noir and the Cinema of Paranoia (2009).

Dixon's book A Short History of Film (2008, co-authored with Gwendolyn Audrey Foster) was reprinted six times through 2012. A second, revised edition was published in 2013; the book is a required text in universities throughout the world.