The Triumph of Music â The Rise of Composers, Musicians and their Art (OBE)

Blanning, Tim

ISBN 10: 0674057090 / ISBN 13: 9780674057098

Published by Harvard University Press, 2010

About this Item

Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Seller Inventory # rev9872036127

Bibliographic Details

• Title: The Triumph of Music â The Rise of Composers, Musicians and their Art (OBE)
• Publisher: Harvard University Press
• Publication Date: 2010
• Language: English
• ISBN 10: 0674057090
• ISBN 13: 9780674057098
• Binding: Soft cover
• Condition: Like New
• Weight: 585 grams

About this title

Synopsis

A distinguished historian chronicles the rise of music and musicians in the West from lowly balladeers to masters employed by fickle patrons, to the great composers of genius, to today’s rock stars. How, he asks, did music progress from subordinate status to its present position of supremacy among the creative arts? Mozart was literally booted out of the service of the Archbishop of Salzburg “with a kick to my arse,” as he expressed it. Yet, less than a hundred years later, Europe’s most powerful ruler―Emperor William I of Germany―paid homage to Wagner by traveling to Bayreuth to attend the debut of The Ring. Today Bono, who was touted as the next president of the World Bank in 2006, travels the world, advising politicians―and they seem to listen.

The path to fame and independence began when new instruments allowed musicians to showcase their creativity, and music publishing allowed masterworks to be performed widely in concert halls erected to accommodate growing public interest. No longer merely an instrument to celebrate the greater glory of a reigning sovereign or Supreme Being, music was, by the nineteenth century, to be worshipped in its own right. In the twentieth century, new technological, social, and spatial forces combined to make music ever more popular and ubiquitous.

In a concluding chapter, Tim Blanning considers music in conjunction with nationalism, race, and sex. Although not always in step, music, society, and politics, he shows, march in the same direction.

About the Author

Tim Blanning is Professor Emeritus of Modern European History and Fellow of Sidney Sussex College, University of Cambridge. He is the author of The Pursuit of Glory: Europe 1648–1815.