True Event Adaptation | Scripting Real Lives

Davinia Thornley

ISBN 10: 3030073343 / ISBN 13: 9783030073343

Published by Palgrave Macmillan, 2019

About this Item

True Event Adaptation | Scripting Real Lives | Davinia Thornley | Taschenbuch | xiii | Englisch | 2019 | Palgrave Macmillan | EAN 9783030073343 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu.

Seller Inventory # 117437872

Bibliographic Details

• Title: True Event Adaptation | Scripting Real Lives
• Publisher: Palgrave Macmillan
• Publication Date: 2019
• Language: English
• ISBN 10: 3030073343
• ISBN 13: 9783030073343
• Binding: Taschenbuch
• Condition: Neu
• Dimensions: 210W x 148H x 14D millimeters 210 millimeters width by 148 millimeters height by 14 millimeters depth
• Weight: 331 grams
• Seller catalogs:
  • Bücher

About this title

Synopsis

These essays all—in various ways—address the relationship between adaptation, “true events,” and cultural memory. They ask (and frequently answer) the question: how do we script stories about real events that are often still fresh in our memories and may involve living people? True Event Adaptation: Scripting Real Lives contains essays from scholars committed to interrogating historical and current hard-hitting events, traumas, and truths through various media. Each essay goes beyond general discussion of adaptation and media to engage with the specifics of adapting true life events—addressing pertinent and controversial questions around scriptwriting, representation, ethics, memory, forms of history, and methodological interventions. Written for readers interested in how memory works on culture as well as screenwriting choices, the collection offers new perspectives on historical media and commercial media that is currently being produced, as well as on media created by the book’s contributors themselves.

About the Author

Davinia Thornley is Senior Lecturer in Media, Film, and Communication at the University of Otago, New Zealand. She is the author of the monograph, Cinema, Cross-Cultural Collaboration, and Criticism: Filming on an Uneven Field (2014).