pp. 267; ill. a colori; rilegato in tela editoriale

Accolta con grande entusiasmo fin dalla sua apertura, la prima Presentazione della Fondazione Dries Van Noten a Palazzo Pisani Moretta prende ora forma in un volume che esplora l'artigianalit� come linguaggio condiviso, modellato dalla materia, dal gesto e dal tempo, in un dialogo continuo con la stratificata architettura e la storia del Palazzo.
Attraverso i protagonisti della Presentazione ? da Christian Lacroix e Rei Kawakubo per Comme des Gar�ons a Peter Buggenhout, Misha Kahn, Ritsue Mishima e Hubert Duprat, tra gli altri ? il volume mette in luce approcci diversi ma profondamente connessi al fare creativo. I saggi di Glenn Adamson, Alexander Fury ed Ezra Babski ampliano ulteriormente questa riflessione, offrendo prospettive critiche complementari.
Nel loro insieme, i contributi restituiscono un'idea di artigianalit� non come semplice tema, ma come condizione stessa del processo creativo: un modo di interrogare la materia, dare forma alle idee ed esprimere una sensibilit�.

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Bibliographic Details

Title: The Only True Protest Is Beauty
Publisher: Marsilio Arte, Venezia
Publication Date: 2026
Language: English
ISBN 13: 9791254633786
Binding: Hardcover
Edition: Illustrated Edition
Condition: New
Dimensions: 20.96 centimeters width by 27.31 centimeters height by 5.08 centimeters depth
Weight: 0.641 kilograms

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Synopsis

In celebration of global craftsmanship, from the glittering new Dries Van Noten headquarters in Venice

Housed within Venice's historic Palazzo Pisani Moretta, the Dries Van Noten Foundation celebrates craftsmanship as a living expression of cultural identity. In April 2026, the Foundation opened a space for dialogue and collaboration between established masters and emerging talents across the fields of art, design, fashion, architecture, gastronomy and beyond. This volume tells the story of the Foundation's inaugural project, The Only True Protest Is Beauty, which features a rich selection of garments, photographs, jewelry, furnishings and other exceptional examples of craftsmanship from around the world. The works engage in a dialogue that weaves together past and present, local traditions and global perspectives, creating a journey that opens up new interdisciplinary horizons. Essays by Glenn Adamson, Alexander Fury, Ezra Babski and Dries Van Noten himself frame this multidisciplinary and boldly ambitious approach.

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