Turner

Various Including J. M. W. Turner, edited by Michael Lloyd

ISBN 10: 0500974373 / ISBN 13: 9780500974377

Published by Thames & Hudson, 1996

About this Item

Seller Inventory # 68712

Bibliographic Details

• Title: Turner
• Publisher: Thames & Hudson
• Publication Date: 1996
• Language: English
• ISBN 10: 0500974373
• ISBN 13: 9780500974377
• Binding: Paperback
• Condition: New

About this title

Synopsis

As a blind person might see the world if the gift of sight were suddenly returnedâ this is how we might describe the effect of William Turner's paintings on the observer. John Ruskin, Turner's uncompromising 19th-century defender, alluded to this idea when he spoke of an "innocence of the eye" which perceived the world's colours and forms before it could recognize their significance.

But to develop such a style, William Turner (1775-1851) first had to overcome the legacy of late rococo academic teachings. He was simultaneously a romantic and a realistâ and yet he transcended both styles. His landscapes, far in advance of their time, have been called forerunners of Impressionism, yet they also possess traits that influenced Expressionism, and many of his late compositions are undeniably surrealistic.

Turner's art cannot be bound by such classifications, and remains an oddity to art history even today. His work arises from a unique relation to the nature that it depicts: through his brilliant sketches, he found a rigorously open kind of painting in which nature sets free the use of colour. And through the workings of the natural elementsâ especially atmospheric lightâ Turner confronted nature at the point where nature itself is an image. This book opens up Turner's paintings for the eye, demonstrating that he was not simply illustrating nature, but that his pictures speak directly to the eye as nature does itselfâ through a world of light and colour.

Reviews

Fifty years before impressionism, J.W.M. Turner brought a sense of light and a lightness of brush to landscape painting that have remained unequaled. In an eponymous collection documenting this year's exhibition at the National Gallery of Australia, editor and curator Michael Lloyd has assembled 150 color illustrations and 10 scholarly yet accessible essays, which together serve as a fine introduction to the career of this great artist.

Copyright 1996 Cahners Business Information, Inc.