Institutional psychotherapy emerged in France during World War II as a resistance movement against the fascist extermination of patients with mental and physical disabilities. The movement was initiated at the Saint-Alban psychiatric hospital and established a horizontal collective of patients and healthcare workers to dismantle confinement systems reminiscent of colonial and totalitarian practices. Embracing group therapies and patient-run cooperatives, these methods intertwined the 'treatment of the institution' and mental 'disalienation'. The book Psychotherapy and Materialism offers the first English translation of two seminal texts by institutional psychotherapy co-inventors François Tosquelles, a Catalan psychiatrist and anarcho-syndicalist, and Jean Oury, founder of the La Borde clinic. Their materialist and 'disalienationist' approach was further developed in Frantz Fanon's decolonial psychiatry and Félix Guattari's schizoanalysis. It led to a radical rethinking of psychoanalysis, education, and social work promoted by figures like Gisela Pankow, Anne Querrien, and Ginette Michaud.
Marlon Miguel is co-principal investigator of the project 'Madness, Media, Milieus. Reconfiguring the Humanities in Postwar Europe' at Bauhaus-Universität Weimar and visiting fellow at the ICI Berlin. He holds a double PhD in Fine Arts (Université Paris 8 Vincennes-Saint-Denis) and Philosophy (Federal University of Rio de Janeiro). His current research focuses on the intersection between contemporary philosophy, art, media, and psychiatry. He also practices contemporary circus and does practical movement research.
Elena Vogman is a scholar of comparative literature and media. She is principal investigator of the research project 'Madness, Media, Milieus: Reconfiguring the Humanities in Postwar Europe' at Bauhaus-Universität Weimar and visiting fellow at the ICI Berlin. She is the author of two books, Sinnliches Denken. Eisensteins exzentrische Methode (Diaphanes, 2018) and Dance of Values: Sergei Eisenstein's Capital Project (Diaphanes, 2019).
